Tibet Films And Imagination Process On The Tibet Image Of Chinese Films

This thesis summarizes Tibet films since the founding of New China as the research object, focuses on "Tibet image" as the research topics,combines with the film studies,cultural studies and anthropology and so on, adopts the text with diligence,combs the Tibetan movies about the development process in my country,analyses deeply the way of Tibet image in the text how to be reproduced and expressed, reads what’s the cultural imagination above Tibet image and these cultural imagination by what factors affect, finally tries to form some regular knows.This paper includes four chapters. The first chapter is Instruction,which sorts out the issues raised, premise related and research significance in order to establish the logical starting point of the study and clarify the research ideas;The second chapter is Tibet films made in China(1949-2011),which analyzes and summarizes creative features and artistic characteristics of Tibet image in the different periods and explore the relationship between image and culture.The third chapter is Tibet image in the change of Tibet films,which discusses the formation and evolution of Tibet image in Chinese films and explore the complex causes behind these images and its widespread impact.The forth chapter is Conclusion.It is that Chinese Tibet films attached to the rheology of political and artistic trends of the new China sixty years, the Tibet image was given the multiple meanings and was cultural imaginal product, which helps us to look squarely at the contradictions and crux between our hearts and cultural in the mainstream culture.