Analysis Of Tibetan Buddhism Xi Li Tu Ritual Music In Hohhot

Tibetan Buddhism is an important form of religious culture, from every aspect of his production to every stage of his development; it contains a rich ethnic culture.Tibetan Buddhism acts as the most important religious beliefs in Inner Mongolia region; it’s closely related with the Inner Mongolia region and Mongolian national culture history. This article about Xilituzhao ritual music acts as a perspective acts as a representative individual temple and reflects the Inner Mongolia autonomous region’s Tibetan Buddhist ritual music practical and social function. Based on the comprehensive investigation of Xilituzhao ritual music, records, integration, we hope we can fully grasp the essence of the Tibetan Buddhist ritual music in Inner Mongolia.Hohhot’s Xilituzhao ritual music, as the research object of this article, whatever it is the temple culture or temple art of music or both we can see the shadow of history refraction, Xilituzhao ritual music research and investigation, his living environment, cultural background and historical origin are the interpretations, the revealing of the essence of the inevitable process of ritual music. This article investigates and analyzes the historical process of the formation and development in the Inner Mongolia region, Music and Arts ritual, cultural heritage and cultural background of Tibetan Buddhism. The full article consists of four chapters, the first chapter:The introduction of Buddhism and Tibetan Buddhism transmission. This chapter is the introduction of Buddhism, Tibetan Buddhism transmission in Inner Mongolia, as well as Tibetan Buddhist Mongolia Overview. Chapter II: Xilituzhao ritual music living environment. This chapter is about the xilituzhao living environment and xilituzhao structure buildings specifically addressed. Chapter III:Xilituzhao ritual music form. This chapter is about the xilituzhao ritual music, specific music morphological description, chanting tone from Xilituzhao instruments used in music and dance to the accompaniment of music method, three specific musical forms for a detailed description of the body content of their music. Chapter IV:The influence of Tibetan Buddhist culture on the Mongolian music culture respectively, the influence of Tibetan Buddhism on Mongolian songs, the influence of Tibetan Buddhism on the Mongolian dance. From these two aspects we can allude the influence of Tibetan Buddhism on Mongolian music culture.