Comparative Study Of The Horse Gershon And Choral Conductor Yan Liang Kun Art Style

China chorus earliest Christian music gradually accepted by the public and theschool songs "movement began in the late nineteenth and early twentieth century,with the gradual development of up. In this process the centuries through the storm, ithas emerged many accomplished choral conductor, especially after the liberation of alarge number of conductors have been more professional system of learning. HorseGershon and Yan Liangkun two choral maestro, was in this period has been theopportunity to study abroad are studying in the United States and the Soviet Union.After returning home, they are actively engaged to the choral conducting business inChina has just started. After a long period of teaching and research and the practicesummary, they formed their own unique teaching methods and commanding style.Throughout our choral conductor sector, most of the command from the two mastersof the sects, and gradually form a different command style represented by two mastersof the genre, choral conducting community now more popular North Yan Nanma"argument.Now93age of Professor Ma Geshun and the90years old Professor Yan Liangkunas our choral conducting career leader, the old couple witnessed the development ofthe cause of the new Chinese chorus. Recent years separate the two masters commandof the art of all kinds, but the study also compared these two of our choral conductingprofession dean of arts style little, I hope that through this article on these two mastersdifferent styles, find the difference between two masters art style, for choralconducting learning some help.This paper from a content point of view, can be roughly divided into five parts:Introduction: mainly elaborated of Professor Ma Geshun Professor Yan Liangkunstatus and influence in my field of choral conducting.Chapter: life experiences, and for art track. In this chapter you will experience thedifferent and for art from life the of Professor Ma Geshun and Professor YanLiangkun different trajectory, identify aspects of their commanding style formed.Chapter II: Chorus and Conducting teaching practice and rehearsal. Chapter departurefrom the practice to review and summarize the different styles of the two choralmaestro teaching and rehearsal.Chapter III: artistic achievements and choral conductor thinking. In this chapter, twoold choral conductor thought the comparison, and to demonstrate specific artistic achievements.Conclusion: comparative study of choral art style of of Professor Ma Geshun andProfessor Yan Liangkun, summed up the commonness and individuality of our choralconducting career development to fully absorb the essence of two artists, help for thechoral conductor beginners beneficial.