A Study Of Flower-and-Bird Painting About Zhou Zhimian’s "School Of Contoured Flower And Non-outlined Leaf"

Late Ming Dynasty in the world commodity economy caused by the wind shift, resulting in the late Ming Dynasty Flowers and Birds secular fashion. Flourished in the mid-Ming Wu literati painting decline at this time, however, this is still preserved in the secular literati complex life, even in the emerging bourgeoisie. Zhou zhimian weeks late Ming Dynasty famous flower and bird house in the main successor own " the school of contoured flower and non-outlined leaf" on the basis of the Wu School bird and flower painting school, somehow assume secular life after this period for literati painting spiritual aspirations.From the " the school of contoured flower and non-outlined leaf" formation to proceed, combined with the author focuses on the creation of practical experience in the analysis of the previous generation of their inheritance and their own creative bird characteristics and other aspects of its work style pen and ink technique, in which a clear understanding of the Ming Dynasty Flowers and Birds while outstanding contribution to the far-reaching impact on the history of the whole bird and flower painting, a deeper analysis " the school of contoured flower and non-outlined leaf" bird relative scarcity on the ideological content of the previous generation, reflecting the atmosphere of the late Ming bird and flower painting very important aspect of change, that painting by the literati of the secular evolution.