Ang Lee Movie Accepting State Study Of Eastern And Western Audiences

Ang Lee, one of famous Chinese directors, is active in the international film stage. By his keen insight and unique art aesthetic culture, he has taken out of each film with An Lee’s iconic cultural Angle. At the same time, he started the business in a flexible way with art conscience and wisdom. And the movie business has achieved a win-win situation of art and commerce. Besides, the artistic communion between Chinese and western culture is also one of the important labels of its films. There are subtle differences between eastern and western humanity and ethics, confluence and collision occur during the film. The ultimate is a kind of benign interaction of different cultures. To match well Chinese and western point of view and contact film skills, his film style is very bright and unique, and the films also realize the organic integration of art and commerce.Movie business should develop well both artistically and commercially. Chinese movies often encounter bottlenecks in the internationalization direction, many of which failed to sell well nor win awards. People think that the subject of the film view react the cultural elements and the way of the director’s performance directly affect the Chinese and western audience to accept films. Chinese film market is flourishing mainly through imitating some international accidental famous films, although such films can get a good result for business in short term. But from long-term point of view, such Chinese films’ behavior is sure to lead to a lack of innovation spirit, which will result in the slow development of Chinese film industry or even stagnation.By using the film box office data, this paper compare the works of different periods of lee, and select some films in view of the eastern and western inconsistent audience acceptance. Through the analysis of literature case and professional methods of theoretical research, the paper uses the theory of "tradition" on the deep cultural reasons of different market reaction so as to be accepted by the eastern and western audience culture with Chinese characteristics.Based on the contradictory background of the current prosperity of China’s film market and Chinese films’ lack of high-quality goods, it has special significance on the study of film theory to meet the demand of audience consumption brand, and it is hopeful to develop the domestic and foreign markets and will establish national film features. At present, domestic is enjoying a golden period of film development. China’s film market is huge but lack of influential international films with Chinese uniqueness and characteristics. So China has to import to international films to meet the demand of China’s market, which is not only the tragedy of China’s film industry, but also the sorrow of the development of Chinese culture. So from the perspective of aesthetics reception, and through An Lee’s upbringing movie development course of study, the author compares and analyses eastern and western audience acceptance together. The three states are reverse acceptance and poor acceptance, through the visual indicator of film, the film’s different states of acceptance is distinguished directly. Through the different accept state, the author deeply analyzes different Ang Lee movies, summarizes the advantages of accepting state film together and learns reverse accept and poor state film deficiency. In conclusion, The paper deepens putting forward suggestions for the development of China’s cross-cultural movies.