Study On Lotman’s Literature And Art Semiotics

In recent years, the human beings’ history has been changed,the contemporary culture has entered a "highly symbolic era". The modern semiotics has been developed very fast in nearly one hundred years. With the continuous efforts of all parties, semiotics has become a mature discipline. New field is constantly exploited and researched. The scholars in the discipline of our country have been taken an active part in semiotics study. In the 《Introduction to the theory of semiotics》, Li Youzheng made an detail analyze about the semiotics theory of Europe semioticians;With Hu Zhanglin and Wang Mingyu’s promotion language semiotics became a very important part in Chinese semiotics study. A lot of scholars such as Zhang jie、Zhou Qichao、Bai Chunren made comb and introduced about the Russia’s semiotic theory. In addition, Chinese scholars have made valuable research and discussed in the human semiotics and semiotics research of semiotics, such as Chinese characters. The field of semiotics is very big. Some research was deeply and widely, but lacking of comprehensive. The research about semiotics also needs the joint efforts of everyone to promote semiotics becomes broader and more valuable.This article tries to comb and analysis Lotman’s literature and art semiotics deeply and completely. When interoperating the literature and art semiotics, I want to grasp Lotman’s semiotics and art semiotics essence accurately. In the first chapter of this paper, I focused on the origin of Lotman’s literature and art semiotics theory. And study its theory innovations on the basis of predecessors’ theory. In the second chapter this paper through discussing the language point of view, to make an explain about the relationship between natural language and scientific language, to have a division of primary language and the second model system,to show the attitude about Lotman’s original ideas about language research. In the third chapter, explain Lotman’s another theoretical characteristic of literary semiotics, namely Lotman tried to insist the unification of the art content and form, research and criticism Russian formalism to emphasize the internal language study and ignore the refutation of external. In the fourth chapter the paper illustrates the art text construction principle of Lotman’s. And analysis the aesthetics of identity and the aesthetics of contrast and opposition principle, makes the information of the artistic text richly and vividly. Lotman’s text view reflects the profound thought tendency of the cultural semiotics poetics. The fifth chapter through to summarize the valuable and disadvantages of the literary theory semiotics, in order to make an objective and accurate evaluation about Lotman’s literature and art semiotics.Although in Lotman’s literature and art semiotics, the text of the main research object is the art and its structure, its meaning and value is far beyond the study of the text itself. His literature and art semiotics thoughts involve many theoretical problems in the field of literary theory, the construction and development of literary theory and the whole of the construction of the humanities and social science has had a positive and important impact. Lotman’s theory of semiotics are inspiring for the literary and cultural studies in the new century. We should insist the basis of Lotman’s literature and art semiotics, trying to reveal the innovation and development of its research method and critical thinking on. Providing a valuable reference and innovation for the development of literary theory criticism in China.