The Composition Technique Of Orchestral Work "Crossroad"

The master’s thesis made an analysis for my graduate work, "Crossroad" creative techniques. The paper is divided into five parts. The first part is an introduction, a brief description of the work, and how the name "Crossroad" connected with the music. The first chapter analyzes the pitch of the material in this work as well as the relationship between the pitch of the use of texture, the second and third chapters from the structure of the work and the way to start the construction, layout and orchestration approach specifically addressed several aspects of the work creation techniques. The last part is the conclusion, concludes the paper.