Conparative Studies Of Wangmeng And Nian Stone Tree Method

In the history of the big picture of China landscape painting, stone tree law as an important part of the creation of landscape painting in the Chinese, has always been an important chapter of people study and research of landscape painting. The tree stone ink language is different, will have a significant impact on the overall style of artists and artistic conception etc.. Painters of Yuan Dynasty Wang Meng and Ni Zan’s style of painting is a fan of a simple, in their paintings, stone tree also have different pen and ink language, painting techniques and forms.This paper through the study of Wang Meng and Ni Zanshu stone method, from two aspects of the complex is a brief study Chinese painting pen and ink language diversity and richness. Wang Meng’s works to display the beauty of lush, Ni Zan works to show the beauty of simplicity, and simplified two body language of ink on the stone tree composition, trade-offs and how to use it are worthy of our study and research content. This paper from the Wang Meng and Ni Zan’s tree stone pen and ink language, performance techniques, spatial contrast, composition and other aspects of research, summed up the aesthetic characteristics of a prosperous and a simple two pen and ink language point line organization rules, trade-off relationship, composition, and so on. Based on Wang Meng and Ni Zan stone tree method to study, so more systematic understanding and mastery of the traditional Chinese landscape painting simplified two body forms and the painting skills. In practice, it is helpful for the creation and innovation of contemporary Chinese landscape painting.