The Subject Of Cognition In The Acceptance Of Music And On Its Differences Between Chinese And Western

The acceptance of music plays a great importance role both in the creating of composers, the acting of performers, and in the enjoyment of audience. Nowadays, the associated monographic study and case study have already been a great deal of done, but to conclude and collate the process theoretically, abstractly and dynamically is still blank. This study is trying to conclude and approach the practical subject theoretically from diachronic angle, and study it from the comparison of Chinese-west Culture synchronically, which is logically based on the reception esthetics, then show the essence, process and meaning of the subject of cognition in the acceptance of music in the hope of doing my bit to the subject of musical aesthetics.