| Chinese vocal music culture of timeless, depending in the development change process in various levels, morphology in content and form by constant contact, decomposition, resulting in the fusion of the new power. Early vocal music study abroad students, as a kind of social phenomenon, and history is not accidental, but social development inevitable.The first half of the twentieth Century Chinese vocal students of Western vocal art in China communicator and facilitator, is the founder of Chinese vocal music education, is the first generation of China singer, vocal music educator. They learn from the advanced western singing techniques and vocal music teaching ideas on the basis of inheritance, development, innovation of the traditional Chinese the art of vocal music, and jointly promote the process of Chinese Belcanto, realize the transition from tradition to modern China vocal great leap. This paper try to discuss the group characteristics of the first half of the twentieth Century China vocal music students, the development history of vocal music was comprehensive, system, solid research, on the one hand, to sort out and the understanding of the history of prosperity and enrich the contemporary vocal music art and construction activities, on the other hand,it is also a reference to the planning and guidance for future development blueprint for the vocal music, To speed up the development of vocal music art to provide ideological guarantee, spiritual motivation, intellectual support;By studying the characteristics of this group, the unique role and influence the author hopes to re-recognize the early vocal artists have the experience of studying in history, is expected to has made great contribution in the process of development of the art of vocal music in the objective, correct understanding of early vocal music students who play an irreplaceable role in reality.The full text structure is as follows:In the first chapter, this thesis briefly introduces the research status of this topic in the current academic circles, and points out the deficiency of the relevant theoretical research and the purpose and significance of this research.The second chapter, for 20th century half leaf of Chinese vocal music study groups of the reasons for the formation of simple analysis, mainly from the then social and historical background, the development of music education, vocal music art development carries on the analysis.The third chapter briefly introduces the basic situation of the study group of Chinese vocal music in the first half of twentieth Century, mainly from the composition of the group, the study of the situation and so on.The fourth chapter, on the 20th century half leaf of Chinese vocal music study groups as a common feature of the overall relates to they are showing in the study and work in the process of national ideals and beliefs, the style of hard struggle and plain living, cultural exchange idea and for the development of Chinese vocal music art contribution and other aspects.The fifth chapter tries to analyze the influence of the Chinese vocal music study group in the first half of twentieth Century on the construction of China’s vocal music art. |