| Hiroshi Sugimoto is a photographer who is very influential in Asia and around the world and has made a great contribution to the development of today’s images.In1975,the first work "Perspective Gallery" was recognized by the Museum of Art after the opening of its real image art career,accompanied by "sea","theater","Buddha" and "Yin shine" and other works of birth,So that the status of photography in the field of continuous improvement,many times gains the international range of photography awards.Hiroshi Sugimoto’s image is based on time as the primary way of thinking,constantly trying to belong to his own "make-image" expression techniques,so that different series of works show rich artistic and diversity,simple picture behind him A way of thinking about the memory of history,and this way of thinking is precisely through its unique means of expression to show people.On the basis of a lot of literature research and collation of Hiroshi Sugimoto,this paper chooses its representative image works to analyze and interpret,so as to analyze the image representation of his "make-image".This paper is divided into five parts:The first chapter focuses on the present appearance of photography and the establishment of a clear concept of make image,so that " make-image" and photography can really lead to contact.The second chapter is an overview of the image of Sugimoto’s Division,from which he has a full range of aspects from his growing experience,the subject of photography and his dedication to photography in order to understand the background of his image.The third chapter is based on the image of his works on a induction of the induction,from the east and west of the growth of the impact of movement and still,simple things and sublimation of the image,from those four angles,so the right Theimage context under the performance of the Hiroshi Sugimoto is interpreted.The fourth chapter is to sort out the image under the make image of Sugimoto,and to sort out many of his works.Will be sorted out after the "unrealistic" images,fuzzy images and invisible images of these three aspects to be discussed.The fifth chapter is a summary of the study of the performance of the Sugimoto Division in the first few parts of this paper.It mainly focuses on the significance of the images of Hiroshi Sugimoto to the present photography and highlights the importance of " make-image".To explore the image of Hiroshi Sugimoto can make us better learning and learn from his "make-image",on this basis,continue to develop,so that more and more photographers have their own means of this way.Sugimoto Division broke the singularity of photographic performance,enriched the formation of photographic language,and prayed about the direction of the development of photography as a medium of language,so that we can master and apply this art to express our thoughts. |