| Beethoven’s third piano concerto in c minor(Op.37),the landmark in his life of music creation,whether the development of the piano,or concerto subjects innovation,this work has great breakthrough than ever before,from now on,Beethoven to get rid of the style of Haydn,Mozart and other senior constraints,established the unique spiritual quality,therefore,it is recognized as the representative work of Beethoven to mature.Based on Beethoven’s\"the third piano concerto in c minor,\" as the research object,starting from the practical level,explore the emotional connotation,its performance.This paper argues that:Beethoven’s peculiar music organization form,contains rich connotation and unique feelings,they should be a specific performance theoretical basis when processing.This paper is divided into three parts:the first part is a brief introduction to Beethoven and Beethoven’s music,the second part is about the third piano concerto in c minor emotional connotation analysis,the third part of this paper,I am a graduate of the concert,respectively from the tonality,harmony,dynamics,pedal,etc.,discusses the work of the play.Among them,about strength,pedals and other issues,I also in combination with his art practice,talked about the experience of playing. |