Investigation And Research On The Ancient Buddhist Chimeres In Shanxi Province In Qing Dynasty

Buddhist murals as a Buddhist story and mural art of the organic combination of Buddhism as an important carrier of the story.The Buddhist temple in Shanxi Province preserved a large number of Buddhist frescoes,Among them,the larger period of the Qing Dynasty,the plot more Buddhist frescoes have Huayan Temple in Datong,Baofan Temple in Taiyuan,Luohan Temple and Daming Temple in Shouyang,Township Temple in Pingyao,Jingxin Temple in Taigu,Suhuang Temple in Linxian and Anguo Temple in Lishi and so on8,they are located in Datong,Taiyuan,Jinzhong,Luliang four regions,these Buddhist murals for the study of the Qing Dynasty Buddhist murals in Shanxi Province to provide a hand,Intuitive material.Therefore,this article uses the field investigation and the literature classics combination method,to study several frescoes mural painting classics and the story source of Qing Dynasty in Shanxi,at the different regions,different times of the Buddha biography comparative study to explore The Characteristics of Buddhist Chimeres of Qing Dynasty in Shanxi Province.This paper studies the frescoes of Qing Dynasty in Shanxi Province from the following aspects: First,it discusses the origin of the Buddhist frescoes in China,the connotation of the Buddhist frescoes,the basis of the frescoes and the evolution of the Buddhist frescoes Secondly,the study of the Buddhist frescoes of Qing Dynasty in Shanxi Province was carried out,which included the history of the monastery,the layout of the frescoes,the age of the paintings,the contents and characteristics of the frescoes,and the contents of the frescoes The Buddhist plot of these Buddhist frescoes and the Buddhist scriptures of the Chongshan Temple,"the release of the origin",the wonderful temple,"Buddha Buddha to the deeds" and other Buddhist biographies,from which to expose the Buddhist fresco of Qing Dynasty in Shanxi Province And their similarities and differences;Moreover,according to their composition,the existing Buddhist frescoes of Qing Dynasty in Shanxi Province from the overall layout of the screen is divided into long-roll,panoramic and interlocking three,and a variety of layout The development of the context and characteristics of combing;Finally,on the basis of the previous study,the existing Buddhist frescoes of Qing Dynasty in Shanxi Province and other areas,other years of the Buddha This papersummarizes the four aspects of the selection and arrangement of the plot,the basis of the classics,the origin and type of the inscription,and the art of painting.It draws the characteristics of the Buddhist frescoes in the Qing Dynasty and the unique features in the new plot Nature,embodies the Pure Land in the Qing Dynasty flourishing and related to the Shanxi region and closely related to the character of the regional character and so on.