Analytical Study Of Decorative Patterns In Temple Murals In The Ming Dynasty;Case Study Of Shanxi Province In China

Decorative patterns are the clothes of culture,the totem of the nation and the embodiment of Chinese culture,and their changes and development change with the changes of the times.Shanxi Ming Dynasty temple murals are rich in remains,and the decorative patterns painted in the murals are rich in content,wide in subject matter and novel in technique,which provides rare empirical data for the study of decorative patterns in Ming Dynasty.This paper takes the decorative patterns in the murals of temples in Ming Dynasty as the research object,and through the analysis of its background,theme content,pattern types,drawing techniques,implication types,etc.,it is found that the decorative patterns in the murals of temples in Shanxi Province in Ming Dynasty have the following characteristics: First,they have diversity characteristics.In the middle and late Ming dynasty,the types of decorative patterns gradually increased,and the forms and styles gradually diversified;Second,auspicious patterns were further developed in the middle and late Ming Dynasty.New styles such as text lines have appeared;Third,the stylization and geometrization of decorative patterns in the late Ming Dynasty accelerated.Many temples decorate objects with very few decorative patterns after repeated use,regardless of status level;Fourth,the expression techniques of decorative patterns in the middle and late Ming Dynasty have been innovated.Painters like to express the spatial three-dimensional sense of patterns by leaving blank or blank lines and multi-layer floating patterns,while pursuing vulgarity in color;Fifth,the decorative patterns in murals have a deeper and deeper influence on modern and contemporary art design,which opens up a new way for inheriting Chinese traditional culture and developing local economy.