Research On The Literary Criticism Of Han Dynasty In The Literary Mind And The Carving Dragons

The Literary Mind and the Carving Dragons of the Han Dynasty literary criticism research to the Literary Mind and the Carving Dragons of the Liang Han style,writers,literary criticism of criticism as the research objects,with the Literary Mind and the Carving Dragons of Han literature text involved in the system of carding and analysis,to a more comprehensive and profound understanding of Liu Xie attitude to the Han Dynasty literary criticism,and Liu Xie’s unique achievements in the field of literary theory.This paper discusses the Han Dynasty literary criticism in the Literary Mind and the Carving Dragons in three parts.The first chapter discusses the stylistic criticism of the Han Dynasty in the Literary Mind and the Carving Dragons,and takes the stylistic criticism in the Literary Mind and the Carving Dragons as the research object,and makes an in-depth analysis of the origin and evolution of each style in the Han Dynasty.On this basis,the literary styles are divided into three types: the styles that began in the Han Dynasty,the styles that flourished in the Han Dynasty,and the stylistic styles of the Inherited the previous generation,so as to induce a basic understanding of Liu Xie to the Han Dynasty style development situation..The second chapter explains the criticisms of important Han writers in the Literary Mind and the Carving Dragons.More than 70 Han Dynasty writers were invited by the Literary Mind and the Carving Dragons.Liu Xie mentioned 8 writers who have written more than 10 times.The dissertation compiles scattered criticisms of these writers in the Literary Mind and the Carving Dragons and divides them into two types: the author-based rhetoric,Jia Yi,Mei Cheng,Sima Xiangru,Yang Xiong,Zhang Heng,and the author-based article,Liu Xiang,Ban Gu,and Cai Yong.Carding Liu Xie’s basic understanding and evaluation to those writers and exploring liu xie’s positive and negative attitude towards these important Han writers.The third chapter introduces the criticism of the Han Dynasty literary criticism in the Literary Mind and the Carving Dragons.The criticism of Qu Sao in Han Dynasty and the discussion of Sima Qian and Ban Gu’s superiority are the places of greatest concern to Liu Xie’s literary criticism in Han Dynasty.The dissertation discusses Liu Xie’s position and proposition on the basis of a comprehensive discussion of the Han Dynasty’s criticism of Qu Sao and the discussion of the comparison between Ban Gu and Sima Xiangru...