Review And Reflection:the Art Criticism Of "The Fine Of 1985"

The West in the twentieth Century could be said to be a critical century,which promots the art criticism to the stage of Art.The art movement is so intense and brilliant that lots of excellent art critics sprung up.They put forward many excellent theories and methods of art criticism.However,due to the long foreign policy of blockade in China,there is a general lack of understanding and research on western art criticism in the academic circle.The construction of art criticism is a major defect in the construction of the domestic art discipline,and the research on art criticism is also very late.Before and after 1985,the domestic art criticism began to come to the front of the art.At that time,a group of graduate students and undergraduate students graduated from various art colleges and Universities in the major of art history theory,who depended on the art publications of Translations of Fine Arts,World Fine Arts,Art,The Art thought,Chinese Art Newspaper and others to introduce the modern art thought of the west.At the same time,the theoretical summary and summary of the new tide art have promoted the pace of the advance of the modern art movement.The purpose of this paper is to review the overall situation of the development of Chinese art criticism in 80 s,to study on the main critical thoughts of Gao Minglu and Li Xianting in the “85 new trend”,which attempts to make make a certain discussion and summary of the differences between the two critics in this period of criticism.This paper makes a discussion on the existing problems of contemporary art criticism by comparing its critical ideas with different dimensions.The article is composed of five chapters,which are divided into the following: the first chapter reviews the overall situation of Chinese art criticism in 1980 s.The second,third chapter is the research on art criticism of Gao Minglu and Li Xianting,the main promoter and participant of the “85 new trend”.The fourth chapter is based on the study of the first two chapters,and makes a comparative study of the critical thoughts of Gao Minglu and Li Xianting in this period.The fifth chapter is to discuss the transformation and trend of Chinese art criticism and the problems of contemporary Chinese art criticism after the "85 new trend" in the past review,and try to make some supplement to the current development direction of Chinese art criticism.