The Research On The Theoretical Criticism Themes Of Meishu Sichao

Meishu Sichao was founded in 1985 when the new wave fine art was flourishing,and was forced to stop publication at the end of 1987.After three years and three years,it published 22 issues with about 221 contributors and 288 articles,with a total print run of nearly 300,000 copies.The journal has produced important ideological value and social influence.In 1986,《China Fine Arts Newspaper》selected ten major events in the fine art circle in 1985,and the founding publication of Meishu Sichao was ranked the first.It was often associated with Jiangsu Painting monthly and China Fine Arts Newspaper,and said"two journals and one newspaper".This paper is divided into four chapters.The first chapter expounds the background and content classification of the creation of Meishu Sichao.As a part of the new wave fine art,it takes the emancipation of art thought and the freedom of creation after the reform and opening up as the background of the times.It not only pays attention to"Western avant-garde art" and "Chinese traditional art",but also has its own image characteristics.In the second chapter,the critical tendency and thematic formation of Meishu Sichao,the author analyzes 288 articles published in the journal,and the research articles of art theory account for about 80%of the total.The non art theory research articles account for about 20%of the total number.This paper analyzes why the journal forms the tendentious criticism.It summarizes two different themes.The third chapter research on the theme of fine criticism in new wave fine art.As an art theory publication,Meishu Sichao researchs on the article of art theory in new wave fine art,and discusses it in four sections.To start the discussion,we first emphasized the renewal of the concept of art theory;Secondly,the introduction of trendy artists and art theorists;Thirdly discussed the philosophy and aesthetics of modernism;Finally,the method of comparative consciousness to study new fine phenomena.The fourth chapter studies the theme of "Traditional Chinese Painting Issues" in Trend of Art Thought,and analyzes the form transformation and concept renewal of Chinese Painting Issues respectively.In the last part,this paper summarizes the significance of the research on the theoretical criticism and themes of Meishu Sichao in New Wave Fine Art Movement.