Study On Xinjiang’s Documentaries From The Perspective Of Communication Semiotics

Communication Semiotics not only have unique functions on the dissemination of text analysis,but also possess strong theoretical interpretation.By placing Xinjiang’s documentaries in the context of the documentaries ’ development history,it can be found that Xinjiang’s documentaries have some common characteristics of documentaries as well as regional characteristics and ethnic colors different from other documentaries.Taking Communication Semiotics as the entry point to interpret the communication symbols in typical Xinjiang’s documentaries and explore the cultural implications and practical roles of these symbols,can not only effectively expand the existed research on Xinjiang’s documentaries,but also further discuss the complex relationship between communication symbols and cultural communication in documentaries.This paper primarily interprets the linguistic symbols and non-linguistic symbols in Xinjiang’s documentaries,analyzes the general presentation and characteristics of communication symbols in Xinjiang’s documentaries,and describes the overall appearance of this phenomenon.By interpreting dialogues and captions of linguistic symbols and body languages and space languages of non-linguistic symbols,we can pry into the main manifestations of communication symbols in Xinjiang’s documentaries,in order to form a holistic cognition of the communication symbols in Xinjiang’s documentaries.Posteriorly,this article tries to go from describing the overall phenomenon to interpreting the symbolic meaning,and deciphers the symbolic meaning of communication symbols in Xinjiang’s documentaries mainly through "the symbols of regional culture"(the symbols that contain the spread of obvious property of regional culture),then points out the reasons why the symbols of regional culture carrying the same characteristics can achieve good communication effect.In this paper,the symbols of regional culture mainly contain signs,rituals and movie codes,at the same time the symbols of regional culture carrying the same characteristics mainly include dietary symbols and jade symbols.The interpretation of the symbols of regional culture in Xinjiang’s documentaries by means of Communication Semiotics helps deepen the understanding of Xinjiang’s regional culture as well as Chinese culture.In the end,this thesis explains the spiritual connotation of communication symbols in Xinjiang’s documentaries,so that the whole paper can achieve a progressive study from depicting the surface phenomena to elucidating the deep structure.In order to achieve this goal,the spiritual connotation of communication symbols in Xinjiang’s documentaries is mainly observed from the perspective of humanistic care.The communication symbols in Xinjiang’s documentaries contain deep humanistic concern,especially concern about the state of human existence,among which the views on the relationship between human and nature(namely the relationship between human and nature)bear some kind of generality.Being rooted in Xinjiang’s historical cultural traditions and natural ecological conditions,Xinjiang’s documentaries present the variety of forms of the relationship between human and nature via different kinds of communication symbols,and express distinct humanistic care and realistic reflection.That examining Xinjiang’s documentaries from the perspective of Communication Semiotics aims at explaining the deep meaning of humanistic care and realistic reflection of the Xinjiang’s documentaries.This text explains some representative communication symbols and their cultural implications in Xinjiang’s documentaries,and it is a specific practice in this aspect to interpret the symbol ceremony,movie codes,linguistic symbols and non-linguistic symbols.