A Comparative Study Of Cermeric Statues In Jingdezhen And Dehua In The Ming Dynasty

The Ming Dynasty was the golden period for the development of cermeric statues.Jingdezhen and dehua are both ancient ceramics producing areas In our country,which have made great contributions to the development of Chinese ceramics.The communication between the two places have a long history,and the cermeric statue of the two places has both similarities and differences in craftsmanship and style.The flourishing of white cermerics in Dehua is different from the painted ceramics represented by Jingdezhen with its white quality and elegant style.In the Ming Dynasty,Jingdezhen,as the national cermerics center,constantly innovating in the color cermerics of qinghua,wucai and color glaze,leading the development of cermerics industry to the painting direction.The research on the cermeric statue of Jingdezhen and Dehua has been discussed in the previous academic circles,but most of them are only related to the unilateral study of Jingdezhen or only Dehua,and there has been a tendency of general and vague relation to the relationship between the two and the lack of a comprehensive and systematic demonstration of the two places.This paper focuses on the characteristics of the two statues,and makes a comparative study between the two places.In order to make the research as comprehensive as possible,on the basis of literature research and museum visit,makes an in-depth analysis of the representative cermeric statues of the Ming Dynasty,and finds out the similarities and differences in styles,and gradually forms the understanding of the relationship between the two places.The full text is divided into five chapters to demonstrate: the first chapter,the origin and development of cermeric statues,as well as the outline of cermeric statues in Jingdezhen and Dehua,in order to enter the theme.The second chapter,from the history,geographical environment,social economy and folk culture etc.of the Jingdezhen and Dehua cermeric statues to produce similarities and differences in the background.The third chapter,combined with the relevant representative works,from the cermeric craft,topic subject,modeling feature,decorative techniques and other aspects of the Ming Dynasty cermeric statues of the two places to make a horizontal comparison,in order to have a comprehensive and clear understanding of the cermeric statues in Jingdezhen and Dehua.The fourth chapter,from the four aspects of modeling,line,color and material,analyzes the aesthetic implication of the two statues.The fifth chapter is a summary of the full text.From the analysis of the whole article,it is found that the form of Dehua white cermeric,represented by He Zhaozong in the Ming Dynasty,not only affects the local cermeric statue style of Dehua,but also affects the style of Jingdezhen’s statue.Atthe same time,Jingdezhen’s qinghua,wucai and other color cermerics also deeply influenced Dehua,and became the mainstream cermerics produced by Dehua in Qing Dynasty.