A Brief Analysis Of The Performance Of Regional Cultural Elements In Zi Sha’s Works

Purple clay pot is the art of earth and fire.Since the beginning of Ming Dynasty,it has been favored and its implication is a rich and auspicious thing.Scholars and refined scholars have pursued and appreciated it.They have reached a certain height in the aspects of modelling,clay extraction and craftsmanship,and formed unique cultural symbols,especially the involvement of traditional Chinese painting and calligraphy,which has made the purple clay pot get a new life in literature.The cultural,artistic and inclusive qualities have been greatly improved,which implies China’s long-standing history and culture.Today,with the great development of culture,artistic creators pay more attention to people’s spiritual and cultural needs.They have made new breakthroughs in plastic arts,decorative technology and artistic expression.By changing the shape and texture of purple sand ware,the artists show the unique charm of purple sand ware more deeply,thus giving people spiritual aesthetic enjoyment.The purple clay pot is inclusive and is often referred to as "the general idea of a small pot".From a macro point of view,purple sand implies characteristics similar to human personality,with diversification,and shows a unique sense of mystery.Chen Mansheng,a well-known seal engraver in China,and Yang Pengnian,an artist,have jointly produced the "Mansheng 18 Bachelor’s Pot",which is intended to reflect the rich cultural background and return to the appreciation mood of ancient literati and refined scholars.In the eyes of many ancient literati and Mohists,the new artistic attributes are derived from the involvement of traditional painting and calligraphy.However,through a long period of research and development,it is found that up to now,the cultural and artistic expression of purple clay pots still mostly staysin the traditional shape and traditional decoration,not only in the shape,but also in the language of artistic expression relatively solidified,which usually only involves calligraphy,traditional Chinese painting and other art forms.Regional culture is less involved and fails to meet the demands of regional differentiation culture.The purpose of this paper is to introduce the rich and diverse regional culture,and to solve the problem of how the art of purple sand merges with the regional culture with the local characteristics,so that the regional cultural symbols can be more fully and appropriately embodied on the purple sand implements by scientific methods,or the use of hierarchy,texture,or mosaic,etc.,so as to closely integrate the design of implements with the cultural and artistic symbols extracted.Be a new way of expression.On the premise of regional culture,starting from the functional beauty and formal beauty of products,we use the most appropriate artistic techniques to express the quality of regional culture,so as to achieve the effect of "emotional support",so that purple sand wares can take a higher attitude,contain strong regional cultural characteristics,and create more distinctive and excellent purple sand works.