Exploration Of The Inscriptions On Tea Pots During Ming And Qing Dynasty From The View Of Esthetics

Purple clay art has its own system and unique style in the pattern of Chinese ceramic art,creating an artistic model of excellent materials and workmanship.Purple clay pot,as a leading tea set art in China,has been studied by numerous scholars for thousands of years.Especially in the modern era,which advocates the aestheticization of daily life,the unique modeling style and material characteristics of purple clay pots and the profound cultural connotation they contain have left precious spiritual and material materials for people to study and create purple clay culture.During the Ming and Qing Dynasties,purple clay was in a mature stage of development.As the most important category of purple clay pottery,purple clay pots were born of tea and accompanied by tea.In the course of the evolution of the purple clay pot,from the initial focus on practicality to the Ming and Qing Dynasties when it collided with the elements of calligraphy and painting,the inscription,as the decoration of the pot body,echoed with the shape of the pot,forming a holistic design,so that practicality,aesthetics and artistry were highly integrated.The inscription on the purple clay pot has become one of the important elements in the aesthetic decoration system of the purple clay pot,and still has a deep position in the modern purple clay pot decoration.Therefore,the inscription on the purple clay pot has become an important starting point for the analysis of the deep aesthetic thought of the purple clay culture.Based on the aesthetic perspective,this paper attempts to summarize the aesthetic implication of the inscription on purple clay pots in the Ming and Qing Dynasties by combining the knowledge of the creation process of the inscription on purple clay pots and the aesthetic ideas of tea in the Ming and Qing Dynasties,and by systematically and deeply analyzing the external technological form and the aesthetic implication formed by the internal form of the inscription on purple clay pots.In the initial chapter,a synopsis and overview of the evolution process is provided.ceramic inscriptions and the social background of the Ming and Qing dynasties,the tea ideology,the consciousness of creation and the creation technology of purple clay pots;The second chapter will focus on analyzing the aesthetic meaning and evaluation principles reflected by the material,technology,shape and form of the inscription on purple clay pot from the modeling language,decorative form and creation evaluation principles of the inscription on purple clay pot in the Ming and Qing dynasties,combining the two aspects of literati purple sand and court purple sand in the Ming and Qing dynasties;The third,fourth and fifth chapters will start from the aesthetic style,study the "interest","charm","interest","artistic conception" and other aspects of the inscription on purple clay pots in the Ming and Qing dynasties,so as to deeply explore the aesthetic characteristics of the inscription on purple clay pots in the Ming and Qing dynasties,such as "elegance and benevolence","purity and spirituality","leisure and ordinary",and push the article to the climax,which is also the most important core content In the sixth chapter,a synopsis and examination of the effect of the article is provided.technology and aesthetic ideology of the inscriptions on purple clay pots in the Ming and Qing dynasties on the application of modern and contemporary tea affairs and the aesthetic of the inscriptions on contemporary purple clay pots,which makes the aesthetic analysis of the inscriptions on purple clay pots have a more systematic beauty of richness,integrity,and extension in structure and content.Finally,the conclusion of the article believes that the aesthetic exploration of the inscriptions on purple clay pots in the Ming and Qing dynasties based on the aesthetic perspective not only has a typical leading and exemplary role in the creation evaluation and aesthetic analysis of the inscriptions on contemporary purple clay pots on the basis of improving China’s tea set aesthetics,but also enriches the content of China’s tea aesthetics.