Analysis And Conducting Research Of Two Choral Works From Poetry By Li Qing Zhao

Li Qingzhao is a very famous female poet in the history of our country.The poetry works created by her are not only graceful and fresh,but also full of romantic temperament and profound artistic features.Especially the two works of “Ru meng ling” and “Banana Tree”have become the source of inspiration for composers for many times,creating music works of various genres,such as chorus,art songs and so on.These two poems,“Ru meng ling” and“Banana Tree”,were written in Li Qingzhao’s adolescent and middle-aged period,and express different thoughts and feelings of Li Qingzhao.There are many versions of the chorus works created by this word,among which the most distinctive ones are those by modern composers Zeng Yefa and Chen Yi.These two chorus works not only reflect the inheritance of the traditional classical poetry style,but also show the thinking characteristics of interpreting the connotation of the chorus works,such as rhyme,artistic conception and aesthetics,in the way of contemporary music techniques and commanding skills,which have unique artistic value and contemporary significance.Although Li Qingzhao’s words are used in the two chorus works,“Ru meng ling” and“Banana Tree”,both of which embody the classical artistic conception of harmony and neutrality in rhyme,they show different structural features in the structure of the chorus works.In terms of creative techniques,the two works also use multi-level harmony layout and multiple polyphonic techniques.Through the analysis of these two chorus works’ music creation techniques and chorus techniques,the aesthetic and value orientation in the chorus works of ancient poetry and lyrics is also revealed.When conducting these two chorus works of Li Qingzhao’s poems and lyrics,we need to ponder over the characteristics of the ancient rhyme of the works,and try to present the traditional rhyme characteristics of the ancient fragrance and ancient color in the performance of some special words and sounds.At the same time,we should try our best to give consideration to the combination of these changes in rhyme and half tone,and the “dragging tone” with the style of ancient opera singing.In addition,the command process also needs to be based on the rhyme of poetry,melody and other swing action design,gesture and expression prompts,in order to achieve accurate voice proportion processing and emotional grasp.From the analysis of the music characteristics of these two chorus works and the design of chorus command,it can be seen that the command of Chinese ancient poetry chorus requires the commander to have profound literary understanding and extensive artisticpractice ability,to grasp the change of the command style of ancient poetry chorus,and to carry out the practical innovation of Chorus command.In a word,the analysis of different techniques,aesthetics,connotation,style and command design in the chorus version of “Ru meng ling” and “Banana Tree” will make the innovative practice and significance of commanding ancient poetry and songs clearer,to gain a deeper understanding of the art of command,and to interpret the chorus of ancient poetry works can grasp and deduce the basic style of the works,interpret the author’s emotional activities in different times background and different emotional experiences,and realize the complementarity of the conductor’s theory and stage practice.