| In the process of learning Chinese traditional flower and bird painting,reading and copying the classic works of predecessors is the way to step into the professional path and learn the brush and ink techniques and improve the aesthetic style.With the deepening of the research,it is often found that a painter’s work has the same two or three or more.Although there are some differences in the details,the breath,subject,composition and even the title of the work are basically the same.Why do they repeat their paintings for what reason? For of inklanguage repeated temper or literati painting or subsistence vend there are other reasons? As a graduate student in the practice of traditional Chinese painting,I will start from the background of the development of the thought of the literati painting,take the painter individual as the breakthrough point,and use the contrast work pictures and enumerating examples to study the causes and significance of the duplication of the works in five chapters.The first chapter describes the common causes of the duplication of the works;the second,third,fourth chapters take Huang Shen,Wu Changshuo and Qi Baishi as an example to analyze the individual factors one by one;the fifth chapter expounds the perception of the phenomenon and the significance of the self creation by combining the previous learning process and creative experience.In a word,this paper takes the background of the times,the social background and the painter’s individual factors as the breakthrough point to explore the causes of the repetition of the paintings of flower and bird painting,in order to clarify some of the problems encountered in the learning process of the traditional flower and bird painting,so as to understand the influence of the representative painter in the external environment and his personal creation motivation.The significance of the study of repetition is to improve one’s ability of ink and ink practice and the aesthetic style of painting. |