Research On The Categories And Characteristics Of Folk Dances In Shanxi And Jinnan Area

Traditional folk dance is the first human creation dance culture art form,because of the traditional folk dance reserves inherited the original dance group,comprehensive,impromptu,ZiYuXing and other characteristics,so as long as someone where there is the existence of the traditional folk dance.In primitive times,dance was a mass collective activity of all members of the tribe,in the midst of strenuous exercise and devotional drunkenness,with groups joining hands and heart.According to the common feelings and rhythm,through every physical body as the core to the creation of deductive way of some form of action rhythm,obtained the mutual pleasure,to form the common will,to strengthen the group solidarity,inspired the vitality of life,today is the traditional folk dance is not only a public body practice to convey knowledge and memory,emotion will,ideal and use the artistic way of life,is "folk dance class" of the school and the importance of art education resources,especially folk dance "stage"inexhaustible,inexhaustible source of artistic creation.Again,be in shanxi region of traditional folk dance art is in after a long historical evolution and culture,carrying the zhongyuan gene in the ancient traditional culture take root in the land of the north,the integration of the han nationality culture,and be in the unique geographic environment,folk performances,and general situation of comprehensive art history.Tour according to existing historical documents and field investigation results,it has a long history of traditional folk be rich in natural resources,including(drums,lights,quasi beasts,flowers,birds,pirates,wushu,transport,yangko,yicheng animals and flower drum,stilts,plate,seven artful lamp)and various types of folk dance.Be the traditional folk dance is a reflection of people's real life and reality,it not only implement the life etiquette,sacrifice spirits and so on the many kinds of practical use,but also bear the moral education,the important role of cultural heritage.The folk dance of jinnan is the crystallization of the wisdom of the people of jinnan,an indispensable part of life,and the dance and emotional language of the people of jinnan.Based on the research of folk dance be region,the breakthrough of previous descriptive,single plane,such as research,to be the classification and features of folk research further and greater reality,from the point of view of structure,this thesis contains five chapters,the main contents are as follows:Chapter one:introduction,this chapter is divided into three parts:the present review of the topic selection and significance of this thesis and the problems of the research and innovation of this topic.The second chapter,"related cultural back" by "be regional position","be region geography","be the history of the regional folk dance" and "be regional customs and cultural tradition of" composed of four sections.Combining be region area location,geographical conditions,customs and culture,standing under the background of the development of the folk dance history to be traditional folk dance culture external factors and internal factors are expounded.Chapter three:nine different types of folk dances and other styles of jinnan,such as the typical Chinese folk dance style.Therefore,the cultural concept and meaning of traditional folk dance in the whole south of jinnan area are provided.Chapter 4:"be regional folk dance" status quo thinking by "be survival and the development status quo of regional folk","folk dance be area deep decline in" two composition,in the first section mainly to be regional development present situation to conduct a comprehensive description of the folk.In the second section,the author analyzes the three aspects of the loss of dance noumenon from the contraction of the traditional folk dance culture consciousness in jinnan.Chapter five:"promoting cultural consciousness and promoting the development of inheritance" consists of two sections:"deepening the cultural characteristics of local dance and the path of scientific inheritance and development".In the first section,the author discusses the change of living environment and the two aspects of conscious awareness of local dance culture.In the second section,the two aspects of non-pedagogy and "non-legacy" protection are discussed respectively.This chapter mainly discusses the inheritance and development of folk dance culture from the perspectives of sociology,dance and pedagogy.