The Freehand Transformation Of Flower And Bird Painting Under The Influence Of The Consciousness Of The Survivors Of The Early Yuan Dynasty

The Yuan Dynasty was a historical period of special significance in the history of Chinese aesthetic culture.During this period,Chinese culture faced a collision and integration from style,form,content and quality.This is undoubtedly a severe test for scholar-bureaucrat of Han who are leading the way in promoting and developing Chinese aesthetic culture.Under the influence of Chinese feudal traditional moral values,every time the dynasty is changed,in the official stratum,there will be a group of scholar-bureaucrat who are adherents of a former dynasty.They are either hidden in the mountains,the city,or hidden in the Buddhism temple and Taoist temple.In the history development and culture smriti,their culture and ideology grow up the adherents’consciousness and adherents’culture.This kind of cultural thought that arises in the trouble times is essentially a self-comfort and relief of the spiritual by the literati in the face of the pressures of social reality and the social predicament.The Song and Yuan Dynasty were replaced by war.It is different from the political alternation caused by the internal contradictions of the Han nationality.This substitution is the right conversion between the Han and the minority.This has led to the convergence of different cultures.Because the society full of contradictions,the adherents are spiritually saddened with more grieving and complex feeling than the adherents of the previous generation.The Yuan Dynasty was a lost generation of Han literati status,and it was also an era in which the art of freehand development flourished.The relatively loose cultural policy of the Yuan Dynasty made the literary and artistic aspects more free and full of emotions in the Song Dynasty.Under the influence of the adherents’ consciousness,the flower and bird paintings in the early Yuan Dynasty gradually opened a freehand change among the groups of the painters of the survivors.They are committed to getting rid of the painting style of the South Song Dynasty,and realize the flower and bird paintings with the expression of "Yi Bi".In the pursuit of "style" and"interest and charm of antique taste",to achieve a return to nature and the soul,so in the flower and bird paintings of the Yuan Dynasty,there appeared a different style of flowers and birds different from the style of the Southern Song Dynasty.It immediately aroused the aesthetic interest of the flower and bird paintings pursued by other literati painters in the Yuan Dynasty,and also formed the aesthetic style of flowers and birds paintings in this period.It can be said that the painter and the benevolent consciousness of the survivors played the role of a guide in this process.The transformation of the flower and bird paintings in the Yuan Dynasty was initiated under the influence of the consciousness of the survivors,and the flower and bird paintings were completed in the development of the social environment of the Yuan Dynasty.Sexual change has completely changed the development of flower and bird painting since the Southern Song Dynasty,and influenced the aesthetic interest of later flower and bird paintings,making the literati painting become the mainstream of flower and bird paintingThis article is divided into five chapters.The first chapter summarizes the parallelism and painting context of the literati painters in the early Yuan Dynasty.It mainly expounds the influence of the consciousness of the survivors in the background of the era of great change on the creation of flowers and birds in the Yuan Dynasty.The second chapter discusses the aesthetic interest and paintings of the literati’s freehand flowers and birds.The concept is mainly elaborated from the aesthetic pursuit of "Yi Bi" and "style",the influence of the "interest and charm of antique taste" and the acceptance group of scholar who are seclude and lonely.The third chapter and the fourth chapter mainly sort out the two paintings of the beautiful paintings and ink paintings presented in the flower and bird paintings of the Yuan Dynasty,and enumerate the different painter groups in two styles,from painting inheritance,image creation,aesthetic interest expression and so on.The aspect is deeply interpreted and interpreted.The fifth chapter observes and explores the influence of the consciousness on the creation of flower and bird paintings in the Yuan Dynasty from the perspective of literati in this mortal life and be not involved in the material world,and analyzes the emotional sustenance of someone turncoat official and literati who are out of office in flower and bird paintingsBased on the freehand transformation of the flower and bird paintings in the Yuan Dynasty,this paper analyzes the main body of the flower and bird transformation in the Yuan Dynasty,the conditions for the realization of the transformation and the specific content of the reform Through the analysis of the aesthetic pursuit,aesthetic interest and works of the flower and bird paintings in this period The three aspects of the function are to thoroughly examine and interpret the freehand changes under the influence of the consciousness of the survivors,so as to deeply grasp the aesthetic interest and spiritual connotation of the freehand flower and bird paintings of the Yuan Dynasty.The transformation of flower and bird painting under the influence of the consciousness of the survivors of the Yuan Dynasty can be said that the painting group inherits and develops traditional art in artistic creation,which has important reference and guiding significance for us to inherit and develop traditional Chinese painting,and also helps us to better.Analyze and comb the value of flower and bird paintings in the Yuan Dynasty.