The Correspondence And Difference Of Feminine Writing

Since Chen Ran and Hong Ying entered the literary world in the 1990 s,they have left a rich female literary text with a clear feminist position and full creative vitality,and publicized women’s self-speaking and self-identification.The same age,the same unfortunate childhood,the way of personal writing,the special relationship with parents,the bold writing of body and sex,the extreme attitude towards the relationship between the two sexes...All these "coincidences" make comparative research between Chen Ran and Hong Ying become possible.At the same time,the differences in their life background and life experience lead to many differences in their female writing.In short,the constructive female texts written by Chen Ran and Hong Ying are worthy of our full exploration and research.This paper takes the gender perspective and feminist criticism theory as the main research methods and theoretical basis.It focuses on the novels of Chen Ran and Hong Ying since the 1990 s,and integrates multidisciplinary knowledge such as psychology,culture,and literature.It also attempts to adopt a method of induction and comparison to comprehensively analyze the similarities and differences between Chen Ran and Hong Ying in their literary creation,and then to define the value of Chen Ran and Hong Ying’s female writing.In terms of structure,this paper adopts a vertical and in-depth analysis method,which divides the content into five chapters.The introduction summarizes the research status of Chen Ran and Hong Ying,points out the research innovation and research significance of this paper.At the same time,it defines the concept and scope of female writing.The first chapter,from the perspective of creative endogenous,analyzes the "lonely consciousness" and "escape consciousness" in the two works combining the traumatic childhood experiences of Chen Ran and Hong Ying.The second chapter,from the perspective of narrative mode and discourse expression,explores how the two writers use the personal writing method to express the female experience differently.The third chapter,from the perspective of narrative theme,cuts into "anti-family narrative" in the name of "daughter" and explores the writing of father-daughter relationship and mother-daughter relationship in Chen Ran and Hong Ying’s works.The fourth chapter is still focusing on the narrative theme.From the perspective of "woman",we explore Chen Ran and Hong Ying’s Construction and Reflection on the Relationship between the Two Sex on the three dimensions of "love and love writing","desires writing" and " homosexual love writing".The fifth chapter,following the discussion in the fourth chapter,starts from the perspective of writing concept,and analyzes Chen Ran and Hong Ying’s different understandings of "super-sex writing" and their textual practice.