Research On Su Renshan’s Painting Preface And Postscript Calligraphy

Su Renshan is known as a painter,so his calligraphy works are often ignored.Looking at his paintings,we can find that there are a large number of preface and postscript calligraphy in them,which are rich in variety and different in style.However,there are lack of in-depth studies on the inheritance,aesthetic orientation,and philosophical view of his painting preface and postscript calligraphy.This paper takes Su Renshan’s painting preface and postscript calligraphy as the research objects and mainly discusses from three aspects.Firstly,in addition to the deep family study,most of his chirography also reflect the inheritance of the ancients;it will determine his imitation of various calligraphy works based on his environment,regional calligraphy style and specific calligraphy style.Secondly,it will discover the different aesthetic pursuits of his painting preface and postscript calligraphy at different stages,and explore this forming factor by combining his life experience and mentality at different stages.Finally,it will summarize the view of calligraphy reflected in Su Renshan’s painting preface and postscript calligraphy to find that he has his own understanding and pursuit on “calligraphy and painting having the same rules”,and also has a unique understanding of the evaluation of the origin and development and characteristics of various chirography.