The Characteristics Of The Times In The Visual Transformation Of Urban Ink Figure Painting

Chinese painting history has a long history,ink as a highly inclusive element of painting,accepted the integration of different times of multicultural,and now with the progress and development of society,the concept of traditional ink painting has been updated with the process of urbanization,the urban ink figure painting is one of the tributaries of different ink paintings..As a new painting art,there is no doubt that the development of urban ink-and-ink character painting is still in constant exploration,its appearance,is the choice of the background of the times,is combined with the contemporary cultural context emerged,the creation of urban figures ink painting requires the painter to have some awareness of the contemporary society,and can trigger thinking,The current situation of urban development can make an in-depth discussion and analysis,and make its own diversification attempt.Urban ink figure painting is a microcosm of modern urban culture.Compared with the limitations of traditional ink painting,it has a wider range of subjects,and has become more expressive by absorbing some western art techniques.Its aesthetic orientation is popular,and it has a certain inclusiveness.At the same time,it can be regarded as one from the perspective of different painters.Starting point to observe the city,so that readers can feel a more three-dimensional and lively urban society in their lives.In this paper,the development process of Chinese ink figure painting is combed,which is divided into four chapters.The first chapter briefly discusses the origin of ink figure painting,explains from the development context,and introduces the formation reason and era environment of contemporary ink figure painting.The second chapter discusses the situation,development causes and context of ink figure painting in the current society,and gives examples of comparison The representative painters make an analysis,discuss different styles,and explain their works and ink language styles.The third chapter mainly analyzes and exemplifies the painters from performance materials,expression methods and modern ink concepts,discusses the modernization of ink language,and makes a brief introduction to the creation and techniques of urban ink painting Single analysis: the last chapter is from a personal point of view,summing up the learning experience of contemporary Chinese ink figure painting,and attaching my experience and some works created by graduate students in the past three years as the understanding and acceptance results of this theme.