Research On The Origin Of The Development And Evolution Of The Bodhisattva Carcanet At An Yue Grottoes

Study on the design and pattern of Bodhisattva necklace of the Anyue GrottoesThe Anyue Grottoes have been included in the World Cultural Heritage backup list,totaling 9 spots of key cultural relics under national protection.The art of Anyue Grottoes is ancient,many,exquisite and beautiful,and is a great treasure-house of the ancient art of sculpture in China.Necklace(of jade and pearls),as an important decoration of the Bodhisattva,represents people(?)s reverence for the Bodhisattva and carries their hope for a better life.Summarization of the design and pattern of the necklace and application of the same to modern design can bring out the remaining energy of traditional culture.Based on field research,this paper included 8 spots relatively intact and larger in scale.Were sleeping Buddha,thousand-buddha village,hua yan hole,round hole,the mysterious view,which the Lou hole,and the peacock yamadera hole,after screening effective bodhisattva(200 wreaths all images,based on the literature survey method,the sorting method,comparative method and inductive method to an yue grottoes bodhisattva wreaths all shape and pattern classification and finishing,development and prosperity period and declinism rheological analysis on the development of an yue grottoes itself,and in the development of sichuan grottoes from the wreaths all point of view,discuss bearing and path analysis of rev.After the first,in the final with the dunhuang grottoes,the longmen grottoes were compared and dazu grottoes grottoes,Finally,the value of an Yue Grottoes Bodhisattva gem is explored.The bodhisattva shape and patterns extracted from the bodhisattva are applied to the design,transforming the traditional national art into a new design force.Due to regional and folk differences,the Bodhisattva carcanet of Anyue Grottoes presents different shapes and patterns in different periods.The shapes and patterns of the Carcanet are constantly integrated with Chinese culture and into local folk culture.The art of the Anyue Grottoes,mostly works of the late Tang dynasty,the Five Dynasties and the Two Song Dynasties,is the period when the art of the grottoes in the north of China and the Central Plains matured and reached its peak.It was mainly influenced by the spread of Buddhism in the Central Plains and northwest China,and also inherited by the Guangyuan and Bazhong grottoes in the north of Sichuan.The sculpture style appears very simple,reducing the sense of religion while more humanized.Carcanet is an important ornament of Buddhist statues,with the function of offering and decoration.There are only bodhisattva figures in the grottoes,with the exception of bhikku-shaped bodhisattvas,such as some terrestrial bodhisattvas,the regular bodhisattvas are all dressed in various carcanet.The carcanet can be used as a headpiece,a neck,a brooch,and as a decoration for the abdomen,as well as for the arms and wrists.We are talking here of the carcanet as neck and bust.According to length,there are mainly the following types of carcanet: plate carcanet,Jeweled carcanet and X-type carcanet;There are w-shaped,T-shaped,Y-shaped,circular hanging;The decorative pattern has agate grain,honeysuckle grain,lianzhu grain,lotus pattern,ruyi grain and so on.Anyue Grottoes Bodhisattva carcanet is an important part of the southward spread of the art of grottoes and temples in the North.In each historical period,there are different forms of decoration,and it has formed a unique decorative style with the regional characteristics of Sichuan and Central China.