The Origin Of The Cultural Evolution Of The Dome Lamp Image And Dome Dancing In KIZIL Grottoes

The top lantern dance,also known as "oil lantern dance",is one of the traditional folk dances in Xinjiang.It is spread in Hotan,Hami,Kuqa and other places today,but because of the different forms of performances in different regions,the title is also different.All the same.The author mainly uses the "Top Lantern Dance" in Hotan area as a research blueprint to explore the cultural evolution and artistic characteristics of the Top Lantern Dance.Based on the records of literature and field practice,this article comprehensively sorts out the context of the development process of Hetianding Lantern Dance.The whole article is divided into five chapters.The first chapter,the introduction,consists of five subsections.The first section describes the research background of the thesis,including the source and basis of the selection;the second section describes the research ideas and methods of this thesis;the third section,the current research status at home and abroad;the fourth section,the summary of the thesis Innovation;Section 5,research purpose and significance.The second chapter mainly investigates the basic situation of the ceiling lamp images in the Kizil Grottoes.Through the comparative study of the images of the ceiling lamps in Caves 38,80,and 138 of the Kizil Grottoes,the position of the image in the caves,the characteristics of artistic expression,teaching presentation and stage practice expressions are analyzed.Furthermore,it has extremely important practical reference value to explore the cultural evolution process from the "static" ceiling light image to the "live" ceiling light dance in the mural.The third chapter mainly describes the ecological background of Hotan area.The content covered mainly includes three parts: geographic context and historical and cultural dance overview.From different perspectives,the ecological environment of Hotan area has a relatively unique geographical and cultural space,thus laying a theoretical foreshadowing for the cultural origin of Dingdeng Dance.The fourth chapter mainly discusses the cultural origin and characteristics of Hetianding Lantern Dance.Exploring the origins of the ceiling light dance under the influence of oasis culture and religious culture,and at the same time take music,lamps,costumes,and action characteristics as specific research objects,so that it can explain the relationship between the ceiling light image and the ceiling light dance on the basis of intuitive templates.Cultural implication,traced to the artistic characteristics of the top lantern dance.The fifth chapter,based on the cultural evolution of the Hetian Ding Lantern Dance,on the basis of synchronicity and history,examines the combination of the Buddhist lantern burning ceremony and the folk activities in the local area of Hetian.It includes the evolution of ethnic regions,the evolution of cultural attributes,and the evolution of functional mechanisms.Analyze the internal reasons from the fresco ceiling lamp image to the ceiling lamp dance to the functional change,so as to interpret the practice value and cultural attributes of the ceiling lamp dance in many aspects.