A Study On The Collection Of Tang Dynasty Epitaphs And Calligraphy Features In Chunyang Palace

This article uses the 13 Tang Dynasty epitaphs in the Chunyang Palace Collection as the research object.Through field investigation,the stone carving materials displayed in the stele gallery are basically sorted out.At the same time,information on the shape,unearthed conditions,life history of the tomb owner,family lineage and other information of the epitaph are done separately.Finished.At the same time,a detailed textual research was made on the burial places such as "Fucheng" and "Shouyang Mountain" in the Tang records of Chunyang Palace.Corrected the inconsistency of the textual research on place names such as "Jincheng Village" and "Jiuyuan Mountain" in other documents with historical facts,clarified the confusion in the understanding of administrative divisions and geographical locations at that time,and laid the foundation for the study of regional calligraphy in the following article.Secondly,the collection of the epitaphs of the Tang Dynasty is classified,and the shape,ornamentation,style,writing style,and publishing methods of the zigzags are sorted out.The collection of Tang Zhi is divided into four periods.By comparing the earliest appearance time of the Tang Dynasty epitaphs of Chunyang Palace and Qiantang Zhizhai,it is found that the appearance of the Tang Dynasty epitaphs of the Chunyang Palace’s collection of stones was earlier than that of the Qiantang Zhizhai collection of stones,which is the academic style of the Tang Dynasty epitaphs.Fill in a new certificate in installments.Finally,this article divides the collection of Tang Zhi calligraphy into three categories,namely,the characteristics of running script of "Jiwang Shengjiao Preface",the characteristics of Yu Shinan’s regular script,and the characteristics of Chu Suiliang’s regular script.Combined with the textual research on the distribution of the burial sites of the Tang dynasty in the second chapter of this article,it explains the main reasons for the formation of the calligraphy style of the Tang Dynasty epitaphs in the collection,which is of reference significance for studying the influence of the famous calligraphy of the Tang Dynasty on the calligraphy of the epitaphs.