Rebellion And Breakthrough In The Gaze Field ——Taking The Female Image In The 1990s As An Example

In literature or visual art,depicting the behavior of women and the world from the perspective of heterosexual men.It usually materializes women into sexual objects and places them in the position of being watched,examined and used,and finally shapes women as others with "femininity" in line with the expectations of the patriarchal society.On the one hand,this traditional female gender role feature is the prevention and control of women by the patriarchal society after the "gender war",which is the reflection of the traditional patriarchal female value scale in literature.On the other hand,it persists in human history as a cultural phenomenon and gradually becomes human conventional cultural psychology.The prototype of this psychology is the gaze theory model discussed by Foucault in madness and civilization.Especially in the 1990 s,with the arrival of the unprecedented free living space,women’s life forms have changed greatly.A group of "new female images" that publicize their personality and advocate themselves have attracted extensive attention with their dazzling posture and extreme words and deeds,In particular,the burning of self passion in the works and the desire Carnival staring at the anti-traditional patriarchal world have an impact on the traditional female image world in the past literature.A group of female writers represented by Chen Ran and Lin Bai have sprung up.With their high female consciousness,they explore and think about women’s survival from the perspective of human nature and human valueThe dilemma and the road of spiritual liberation rebel against the "gaze field" of women in traditional literature,whether it is the criticism and negation of patriarchal phallus centrism cultural values,the re recognition and definition of women / mothers’ cultural values,they are based on the value standpoint of the promotion and improvement of human nature,so that people can really surpass the narrow prejudice of gender and embark on the ideal heaven leading to the free,with unconventional codes of conduct,different from ordinary people’s views on love and values,or self closers who refuse public consciousness and social identity,or break the "perfect role shackles" given to women by traditional mainstream ideology,showing a highly personalized self.In Zhang Kangkang’s work "being a girl",it describes a kind of "women who are not in line with their duties,overestimate their abilities,willful and naturally love tossing".She pointed out that,"In the dialect of Beijing,there is a special word to describe such women.In fact,there is this word in the dialect of Northeast China and Shanghai,Suzhou and Hangzhou The word " Zuo " refers to those women who are restless,self indulgent,capricious and naturally love tossing.It is certainly not a commendatory word,but the derogatory meaning is somewhat vague.They refuse to make it clear directly and leave room for people to ponder and reflect on themselves." In the north,this kind of women is named "Motherhood".The female writers and their female characters in the 1990 s rebelled against and broke through the thousands of years of patriarchal phallus centered cultural values and "literary gaze field" with their rebellious ideology and behavior,reflecting the connotation of "being a woman".This paper attempts to use gaze theory from the perspective of culture and gender,This paper systematically studies the breakthrough phenomena of these "women" in the1990s: the breakthrough consciousness and significance of women in the process of modernization and urbanization;Finally,it shows the future trend of female image writing from the development process of female image.