| Changsha kiln is an important "colored porcelain" kiln mouth in Tang Dynasty,which mainly produces domestic porcelain and foreign trade porcelain.In this historical period of open economy and open concept,people’s demand for the richness and diversity of domestic porcelain has exploded.As a kiln mouth whose main production goal is to meet the market and social needs,Changsha Kiln has formed a unique market-oriented technological characteristics and cultural system.Among the dazzling array of porcelain from Changsha kiln in Tang Dynasty,there is one category which has been neglected by the academic circles,though the total amount is large,and that is porcelain box.In this paper,the porcelain box of Changsha kiln in Tang Dynasty is taken as the research object,and a complete knowledge system is formed by combing the porcelain box of Changsha kiln in Tang Dynasty as comprehensively as possible through data collection,field investigation,material experiment and process restoration.This article will conduct research and analysis from three aspects: concept and traceability,modeling and craft,decoration and techniques.According to the research content,it will sort out the development context of Changsha kiln porcelain box,classify the types,summarize the aesthetic characteristics,and construct the special academic research materials of Changsha kiln porcelain box in Tang Dynasty,aiming at providing some materials and information supplements for the research of related fields in academic circles.In addition,this paper will try to extend the thinking on the basis of systematic research.On the one hand,it will think historically,substitute the research into the historical context,and look at the attributes and characteristics of Changsha kiln porcelain boxes,so as to explore its important significance to historical research;On the other hand,it is to think about the future,extend it from the perspective of practice,combine experiment and creation,and explore the living innovation of traditional craft and the value extension of traditional handicraft aesthetics in the contemporary era. |