A Study Of Dragon Patterns In The Tomb Of The Marquis Of Haihun In The Han Dynasty From The Perspective Miotics

With the discovery and in-depth excavation of the tombs of Haihunhou in the Western Han Dynasty presented a series of amazing funerary objects for the world.Among them are a large number of funeral objects such as bronze,jade,gold and silver,pottery and lacquer ware,all of which have a variety of exquisite patterns on the surface.It can enable the world to appreciate the exquisite and beautiful patterns of artifacts in the Western Han Dynasty,and can also understand the ingenuity of its decorative techniques.In particular,the dragon pattern artifacts unearthed from the tomb of Haihunhou are vigorous and gorgeous,reflecting the social customs of the Western Han Dynasty,which not only reflects the craftsmanship of the masters at that time,but also the essence of the cultural charm of the Han Dynasty.It is not only the carrier of the cultural heritage of the Western Han Dynasty,but also the materialized form of the aesthetic consciousness of the Western Han Dynasty.Dragon pattern is not only a unique artistic image of China,but also an artistic creation beyond nature.The dragon is endowed with a lofty image and eternal vitality,making the dragon a supreme symbol.As a decorative pattern,dragon has been continuously refined and gradually improved.Its exquisite production and far-reaching influence are breathtaking.Based on the relevant historical documents,academic research results and the field investigation data collected by the author,this article analyzes the dragon patterns unearthed from the tomb of Haihunhou from the perspective of design semiotics.On the basis of summarizing the previous research contents,this article investigates the achievements of the ancestors ’ creation practice,and explores the basic rules of the ancestors ’ creation design thinking.This article briefly analyzes the historical and cultural background of Haihun Marquis ’ tomb under the wind of thick burial in the Western Han Dynasty,and summarizes and sorts out the general situation of the unearthed dragon pattern of Haihun Marquis ’ tomb.At the same time,the origin of the dragon patterns before the Han Dynasty was analyzed,and then the dragon pattern symbols of Haihunhou tomb were deeply analyzed to investigate the symbolic characteristics and cultural thoughts of the dragon patterns.And the law of dragon pattern symbol is discussed from the extension characteristics and connotation change of design symbol.The symbolic characteristics of dragon patterns with practical value are summarized,which provides a new idea for the rational application of traditional dragon patterns in contemporary design practice.The theory of design semiotics is mainly used to analyze the semiotic characteristics of the dragon patterns unearthed from the tomb of Haihunhou.From the perspective of symbolic symbols and symbolic significance to examine the decorative art of dragon patterns in Haihunhou tomb.And for the representative dragon pattern,the agreed inductive chart of symbol analysis is made.Further analysis of the cultural connotation and aesthetic thought behind the dragon pattern.The artistic analysis and detailed interpretation of the dragon pattern are carried out.The form composition characteristics,symbol connotation characteristics,signifier form and signified meaning,creation thinking and artistic value of the dragon pattern symbols in the tomb of Haihunhou are studied and analyzed.Glimpse the unique Haihunhou tomb dragon pattern symbol characteristics and symbolic significance.Studying the dragon pattern culture unearthed from the tomb of Haihunhou in the Western Han Dynasty and the cultural connotation of the Western Han Dynasty is conducive to deepening the understanding and understanding of our people ’s national culture,and is conducive to revitalizing and carrying forward the excellent traditional culture of the Chinese nation.