The Practice Analysis Of Piano Accompaniment In Erhu Concerto "River Clouds Dream"

“River Clouds Dream” is an erhu concerto composed by Liang Yunjiang in his early years.It is a single movement and multi-section erhu concerto with the style of Shu school,the use of“Combination of Chinese and western” creative ideas and techniques,greatly enriched the first work of the content and music expression.In this paper,erhu concerto“River clouds dream” as the object of study,from the point of view of piano accompaniment as a point of entry,is divided into three chapters to discuss.First of all,the first part of the article starts with the outline of erhu concerto“River Clouds Dream”,introduces its creative background and artistic features,and then expounds the noumenon analysis of piano accompaniment.The second part,combined with the author’s own playing experience,analyzes in detail the technical difficulties in playing,such as: scraping,tremolo,arpeggio,rapid sound,chord and octave,etc.,it emphasizes the importance of these technical difficulties to the perfection of the vocal part of erhu,the main instrument.The third part analyzes and solves the problems in the cooperation with the erhu,which is the main instrument of the erhu,from the aspects of the timbre of erhu and piano,the treatment of scattered board,the coordination of breath,and the unification of breath,it is intended to emphasize how to better coordinate and control this piece in the process of cooperation.Finally,I hope this article can give students some help for whom will learn or play this piece.