An Analysis Of Spatial Order In Chinese Contemporary Grey-tone Woodcuts

In the contemporary context,the development of printmaking has been impacted and influenced by new artistic concepts.Art creators continue to explore creative concepts,use different formal languages to construct orderly and formal spatial images,and find rules in space.Summarizing the order in the law,the printmaking art under the influence of the contemporary art concept is based on the rational and free creation concept,and constantly explores the extension of the development of printmaking.With the continuous development of printmaking art,gray-tone woodcut is gradually selected and used by art creators because of its unique formal language and rich visual effects,and it has become a trend to pay attention to the ontology language of printmaking.The concept of the main spatial order has become its main feature.Various elements are used comprehensively around the spatial order,so that the overall expression technique,artistic language and formal style of Chinese contemporary gray-tone woodcut have been expanded.As a gray-tone woodcut creator,he summarizes and summarizes the changes in the form relationship in the picture,explores the innovation and development of the ontology language under the concept of modern spatial order,and explores the aesthetic spirit behind the works by summarizing and sorting out the works.This paper will explore and analyze the spatial order of contemporary Chinese graytone woodcuts from four aspects.First,it will sort out and summarize the concepts of space and order from the perspective of historical evolution,and then find the definition of the concept of spatial order in this paper,and then explore the spatial order.The integration and development of contemporary Chinese gray-tone woodcut creations,followed by the search for the spatial order-dominated picture presentation form rules in combination with the works,summarizing the characteristics of the work’ s concept from the perspectives of creative thinking,picture form and creative means,and finally by summarizing its The internal formal laws lead to the possibility of the development of gray-tone woodcuts in the post-print era.