Bruckner, The Guardian Of German And Austrian Symphon

German-Austrian tradition plays an important role in the development of western music and is one of the historical sources of the development of western music.Anton Bruckner(1824-1896),as the guardian of the German-Austrian music tradition,has revitalized it during the romantic period of the 19 th century.Although Bruckner’s writing is based in various genres,including religious music,organ music,and chamber music,symphonies remain the focus of his writing.Of the 11 symphonies he composed,the last three best represent the personal style of his mature period.Among them,the successful performance of the Seventh Symphony has made Bruckner,who is over 60 years old,officially come into the public view and become an important milestone for Bruckner to enter a new stage.The Seventh Symphony embodies the tradition of German-Austrian national music that the composer wants to inherit.This musical creation skill and the German-Austrian national spirit connotation are worth carrying forward.At the same time,his works also reflect his religious view of music,which still has a certain artistic value.Taking Bruckner’s Seventh Symphony as an example,this paper uses the literature research method,classification research method,deductive reasoning method,induction and summary method and music analysis method to explore the production process and music ontology,and examines the internal driving force of the creation of the Seventh Symphony.This paper is divided into three chapters: the first chapter mainly introduces the 19 th and twentieth century,the development of culture and music,from the horizontal to explore the influence of cultural development of the music,from the background of the twentieth century German music composer,broouckner and the seventh symphony in the background,mining bruckner and the seventh symphony,the source of the music tradition.The second chapter from bruckner and the seventh symphony ontology,explore bruckner experience,music creation path and the seven symphony trajectory three parts,combined with the analysis of the previous chapter,to examine bruckner,can more deeply understand his spiritual world and causes,so as to more objectively explore the seventh symphony creation background and causes.The third chapter combined with the seventh symphony of music ontology,through its theme characteristics and development technique,chord structure and conduct,medieval style,and chant music three aspects,analyze the work with characteristics and traditional part on the basis of innovation,combined with the above,concrete analysis of the potential embodiment of German music tradition.The seventh symphony represents the aesthetic tendency of the era,so the author in addition to bruckner’s growth experience and the creative process,also to the bruckner creative ideas and the formation of the seventh symphony and the music characteristics analysis,trying to bruckner and his works play the dual significance of application and theoretical research.