| Dunhuang Apsaras,as an imaginative creation of ancient Chinese painters,The present sense of vicissitudes is still the painter’s deliberate pursuit and not easy to show,Although Chinese modern lacquer painting is a new kind of painting,but we use the history of lacquer is very long,Dunhuang apsaras and lacquer art reflect the cultural spirit of the nation,which needs us to inherit and innovate.Starting from the apsaras image in cave 249 in Dunhuang,the author will analyze the visual language of the apsaras in the cave,and try to use lacquer as a medium to show the author’s understanding and perception of the apsaras in Dunhuang during the Western Wei Dynasty.Emphasis on the western wei dynasty period of dunhuang flying colour,modelling,such as visual language,to explore the effects of deep feeling and of dunhuang flying colors of paint deep,quiet in the expression of dynamic modelling of flying and paint techniques,and both have interest and decoration and analyzed the conversion between them and the fusion,and extract its distinctive painting language used in writing,Presents the flying sky lacquer painting with the characteristics of the Western Wei Dynasty. |
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