Productive Protection Of Music Intangible Cultural Heritage In Cangzhou City

The book "Introduction to Intangible Cultural Heritage" first expounded the concept of productive protection of intangible cultural heritage.The emergence of this concept conforms to the development needs of my country’s intangible cultural heritage protection.Heritage is integrated into production and business activities,and is converted into social resources through production,circulation,sales,etc.to meet production and living needs,and realize the protection and inheritance of intangible cultural heritage through its value mining.Productive protection helps the intangible cultural heritage to carry on living inheritance,and Cangzhou music intangible cultural heritage,as the cultural crystallization of the people of Cangzhou in the long history,is facing the lack of financial support,lack of inheritance talents,modern cultural shock,commercial Problems such as conflicts and conflicts in art have an urgent need for the method of productive protection,which has become the focus of this research.This paper takes Cangzhou music intangible cultural heritage as the research object,from the perspective of productive protection of intangible cultural heritage,observes its original environment,analyzes its support conditions,discusses its difficulties in the protection practice,and tries to put forward countermeasures.After explaining the concepts of musical intangible cultural heritage and productive protection,the main content focuses on the driving factors,implementation difficulty,principles and strategic measures,and prospects and effects of productive protection of musical intangible cultural heritage in Cangzhou.The full text is divided into seven parts,the first part,the introduction,takes the productive protection of intangible cultural heritage as the theme,and gives an overview of the research background,purpose,significance and methods of this paper;the second part starts from the academic level,first of all It defines the concept of intangible cultural heritage of music,and divides it into the connotation and extension of the intangible cultural heritage of music.Secondly,it sorts out several different protection methods for intangible cultural heritage in the academic circles in detail,focusing on the development of the concept of productive protection.;The third part systematically summarizes the prerequisites for the productive protection of Cangzhou’s musical intangible cultural heritage based on the real political policies and economic development in Cangzhou;The evolution and predicament of Cangzhou’s musical intangible cultural heritage in inheritance,as well as the difficulty of implementing productive protection work;the fifth part is based on the principle of productive protection first,and then tries to renew itself,protect the main body,integrate industries,and spread diversely.In the sixth part,we look forward to the sustainable development of the productive protection of music intangible cultural heritage in Cangzhou;the last part is the conclusion part of the article,which summarizes the research results.