The Development Of Chinese Animation Nationalization From The Perspective Of "Tales From Heaven" And "Big Fish And Begonia"

Animation is a kind of worldwide culture and art,and domestic animation has always been an important part of our national industry.Chinese culture has a long history of 5,000 years,which has deposited deep cultural deposits.Integrating these national cultures into the creation of animation not only enrichis the artistic expression of animation,but also extends the development of national animation and enhances cultural confidence.If Chinese animation wants to go abroad to the world,nationalized artistic style is the key,which is an important symbol to distinguish from American and Japanese animation.Innovation on this basis is the only way for the rise of Chinese animation.Injecting "Chinese soul" into domestic animation can make its transmission more national tension.With the development of Chinese animation in several major historical periods as the background,this paper firstly summarizes the inheritance of traditional culture and the changes made in combination with the current world animation art when the Book of Tales was at the time point,and then extends to the reference of national culture and the improvement of animation quality of Big Fish &Begonia with the support of modern digital technology.During this period,it analyzes the relationship between the two elements,such as plot,narrative style,character design,traditional culture and nationalization.This paper summarizes the main factors that promote the development of Chinese animation,studies its application methods,and explores the development road of Chinese national animation.The paper is divided into five parts: Chapter 1 introduction: mainly expounds the purpose and significance of the research,introduces the research status at home and abroad;Chapter two: The idea of Red Qing,ink and wash painting: exploring the national road of Chinese animation,the formation and development of the "Chinese School";The third chapter: Rocks from other mountains,ancient trees and new buds,exploring the narrative style and the use of national elements in "Tales of Heaven";Chapter four: Ten years of a sword,the beginning of a sharp edge: the study of Big Fish and Begonia under the modern digital technology of narrative style change and the application of Chinese mythological elements and traditional culture;The fifth chapter summarizes and prospects: combining the inheritance and innovation of the two animated films when they were in the same wave of The Times,it draws relevant conclusions which are helpful to the development of Chinese national animation.