Research On The Image Modeling Of Meticulous Figure Painting In Tang Dynasty

Traditional Gongbi figure painting has always pursued the image modeling method of "writing God in shape",and the aesthetic idea of image has always guided the creation of figure painting,from the earliest existing character paintings.Gongbi figure painting in the Tang Dynasty development to the peak,this paper selects the representative figure painters and their works in the historical period of the Tang Dynasty for analysis,through the comparative study of the characteristics of the image modeling form language of the three historical periods of the early Tang,the Sheng Tang and the late Tang Dynasty,the overall presents the characteristics of magnificent and full,beautiful and warm,and majestic,and shows the style of combining realism and romanticism in the treatment of character modeling,and depicts the "truth" with a flourishing temperament.The development and evolution of Gongbi figure painting has always followed the aesthetic concept of "image" modeling,now in an era of multicultural coexistence,Gongbi figure painting on the one hand inherits the traditional image modeling method of character painting,but also in combination with the aesthetic psychology of the times to explore new forms of expression language,the development of Gongbi character painting has always been based on the expression of "image" shape,this external expression that does not stick to objective objects attaches importance to the imagery characteristics of the painter’s subjective aesthetic emotional expression is the spiritual core of Chinese painting.The development of Gongbi figure painting should not only reach out to the traditional teachers and ancients to learn and absorb its essence,but also reach out to the present to actively explore new formal language,express the subject’s feelings and feelings,and create works that conform to the aesthetics of the times.