The Relationship Between Images And Medium In The Contemporary Chinese Watercolour Painting

With the widespread application of modern images production and dissemination technologies,the 21 st century has become an Images age,and people’s lives are surrounded by various digital photos and images resources.Images are "invading" people’s lives in an indisputable manner.The traditional easel painting continues,and as the art of watercolor painting examine in art history,we have to explore the continuity of its development and the rationality of its existence,forcing us to analyzing and activate a new perception of the theoretical research and creation of contemporary Chinese watercolor painting.Neither image nor medium exists in isolation,and exploring The contemporary Chinese watercolor painting from the perspective of either image or medium alone cannot help but fall into the trap.Only by identifying the relationship between Images and Media can we better study contemporary Chinese watercolor painting and discover the possibilities of its continuity and development.This project not only sorts out the relationship between Images and Media from a theoretical perspective,but also explains the specific reality of Images-Media in contemporary Chinese watercolor painting,The explicitly starting from the cross-media exploration and Image activities in The contemporary Chinese watercolor painting;it also combines the practice of typical watercolor painters to demonstrate the research ability of images-media in The contemporary Chinese watercolor painting,discover new ideas for the study of The contemporary Chinese watercolor painting,and provide a more reasonable narrative model for the study of The contemporary Chinese watercolor painting.It will also give an affordable narrative model for developing of The contemporary Chinese watercolor painting.