A Study Of The Chinese Monument In The Calligraphy Of The Qing Dynasty

The purpose of this article is to reveal the overall trend of the Qing Dynasty’s calligraphers’ understanding of Han tablet from the point of view of the extension and intension, and demonstrates the concept of calligraphy in contradictory situations in changed situations. This article, on the one hand, puts the Hanbei in Zhuanli character concept and BeiTie distributions, in order to sort out the Qing Dynasty’s calligraphers’Macro-cognitive of Han tablet. On the other hand, by combing calligraphers’similar views to the same problems, such as the Classic and style consciousness, to show their unity and opposition, and also sort out their microscopic cognitive of Han tablet.Since the deduction of book concept is focused on Han tablet, you can interpret the Qing Dynasty’s calligraphers’cognitive of Hanbei both from connotation and denotation. From the denotation,after the rise of Beixue of the Qing Dynasty in the late monument, the understanding of Han tablet often be taken as a theoretical premise and testimonies basis to be promoted, and ignore the independent concept of Early Qing Dynasty of Han tablet, and lack the historical vision that Han tablet in the essence of the old-fashioned is to promote the development of the monument in school and post. The Han tablet mainly contains the Zhuan character and Li character. Qing Dynasty calligraphers has given unprecedented attention to transitional forms between the two, so that the original concept of the font has been quietly changing. The calligraphers gradually formed the change awareness which is based on the Han Dynasty testimonies to the Declaration, to transform Zhuanli character potential as a means and aesthetic pursuit of ancient, clumsy, thick.From the Connotation, the understanding of Han tablet experienced the acceptance of different styles and the shaping of a new classic.In the concept of Copying, through the development of the Qing Dynasty which has experienced more than two hundred years,from "want to change but do not know how to change "to the late character interoperability, Han tablet has become an unavoidable part of the innovation in practice. Han tablet plays an irreplaceable role in the fusion of the ancient criterion and hybridity of north-south style.