Cultural Studies On The Tablet Calligraphy

Tablet is the writing of Chinese characters,can engrave on wood or stone or other material on the material of the key as building decoration and visual center,hung on the house floor space,high hall,pavilion construction such as the prominent position of the place a logo.Its text content are often a few have special meanings of Chinese characters,or the name of the buildings,the purpose and nature of or promote traditional ethical and moral concept,express people's aesthetic and emotional,makes the humanities,such as poetry,calligraphy,landscape cultural connotation,to get the full performance.Properly apply colours to a drawing the artistic conception of buildings and environment,is the ancient Chinese architecture in a unique human landscape.In this paper,the first chapter mainly introduced the origin of the tablet and shape.In the modern sense of "tablet" in the pre-Qin and han has a variety of origins:For my one to collectors declared the proclamation of "flat",Secondly,to indicate the difference between the "agency".Along with the development of the era,and tablet from general "declared the name" the development to both standard name,recognition,the multiple functions such as adornment,from simple inscription suspension to be a gorgeous elegant adornment board itself,from initial used as identifier,and the buildings by the rulers to grade standardized its production and specifications,and make it has the enlightenment of the cultural carrier.In this paper,the second chapter is mainly on the relationship between the board and several other calligraphy shape,textual research and comment,is one of the most significant and the big banner and couplets these three calligraphy shape.The memorial tablet in the center of the first,as a whole in whole tablet in visual center position,highlight the text and the periphery have grain,is similar to the characteristics and tablet.It is this shape on similar led to the two styles from each other;The formation and characters of horizontal type of horizontal banners and closely related to the ancient "flat table" system;The collocation of tablet and couplets is very late,about to kangxi,by the emperor advocated and big.The third chapter of this article combed the plaques,the history of calligraphy of concretewill be divided into three kingdoms plaques the pre-qin and han dynasties period of bud,the popularity of wei jin southern and northern dynasties of horizontal plaque,plaque in sui tang and five dynasties period,the song of the finalize the design phase and tablet in the Ming and qing dynasties the acme of five stages,and the characteristics of each phase of the plaques calligraphy culture representative events,trends,and a detailed examination,using literature and combining with the image data or physical method,intuitive and clearly outline the structure of the history of Chinese tablet.The fourth chapter of this article mainly introduced the tablet calligraphy writing techniques and aesthetic characteristics.Tablet of text content includes the tablet of body and inscriptions,a combination process elements such as border all the aesthetic contents constitute the tablet,and one of calligraphy aesthetic of tablet of text and tablet were the most important part of aesthetic activities.Textual research is mainly focused on the tablet calligraphy techniques and fine print techniques,including different tools,writing techniques,and different aesthetic requirements.And through the three kinds of special books for young children,the elderly and military commanders checked amount of literature,highlighting the ancient Chinese who is generally accepted that plaques calligraphy is more difficult to master the skill.The fifth chapter of this paper mainly introduces the content of the tablet and its social function,mainly introduced the plaques,in the place of text content and hanging echo relationship,tablet in the feudal society's social role and mid and late qing dynasty imperial content such as the process of tablet.In above the plaques as a kind of "calligraphy culture phenomenon",on the basis of further regard it as a "social and cultural phenomenon".Through the analysis of the social function of the plaques in ancient times,further highlight the tablet in the position in Chinese traditional culture.