Subjective Choice And Body Expression

Dancing-funeral is the kind of sacrifice dance, which sacrifice to the dead, the living comfort by Tujia ethnic group along Qingjiang valley, it will be the original concept of witchcraft and worship ceremony and organic combination of song and dance art, and with its unique form convey unearthed family life consciousness. In this paper, the change for dancing-funeral of tujia people in Qingjiang valley as the main focus, put it back into tujia people’s life, folk funeral ceremony process and diverse social context for diachronic and synchronic comprehensive investigation. Through investigation and study,we found that in different social context, dance-funerral of tujia people loss of commercialization, entertainment and other multiple development momentum, not only embodied in different derivative situation dance-funerral, and appeared the performance group called" contracting drum-beating funeral" on the basis of the traditional folk funeral ceremony. In the process of this change, the author focused attention on the cultural subject, trying to find out how to play the subjectivity of its own to make their culture selection and adjustment, and finally presents how to show on their bodys. The full text includes introduction, text and conclusion of three parts, the text is divided into six chapters:In introduction narrates the reasons for choose the change of dancing-funeral of tujia people along qingjiang river basin as the investigation object, and the research meaning and purpose, further reviewing and combing the research on the present situation and the related theoretical, finally introduces the research path and method, in the process of research.The first chapter describes the environment of dancing-funeral of tujia people in Qingjiang valley,think the generation,survival and handing down is inseparable from the understanding of the regional environment it attachment, and mainly from two aspects of natural environment and humanistic environment is introduced.The second chapter presents a delicate folk dancing funeral ceremony, gives a deep and detailed discuss on procedure and structure of the funeral ceremony, and the dancing-funeral and human feelings and mutual assistance in the process of funeral ceremony.The third chapter analyzes the art ontology of dancing-funeral, trying to show the acting mechanism include the drum, music, dance in the trinity structure, and take into account all the form elements in a concrete analysis.The fourth chapter based on longitudinal combing of dancing-funeral, foucus on it present diversified development momentum in derivative situation.The fifth chapter mainly discusses the situationg of the folk funeral ceremony changes, investigates and analysis the dancing-funeral how to change, and specifically focusing on in folk dance group " contracting drum-beating funeral", the form of traditional change under the organization.The sixth chapter discusses the influence factors of dancing-funeral of tujia people changes, concrete discuss from its social context and by the national consciousness and local culture in the process of institutional change and the cultural elite formed by multiple together, but mainly focus on subject subjective selection and debugging of culture.The conclusion part, through the study on the changes of dancing-funeral of tujia people, think folk culture of adaptation and handing down to people’s spiritual needs, and in the process of the folk performance group this organization as an important medium of cultural heritage, is a cultural main body from the key step of cultural consciousness towards a culture of self-reliance。...