A Study Of Qian Zhongshu 's View Of Tang Poems

Qian Zhongshu’s wrings are very abundant, which the literary creation and academic writngs are gaining the reputation in the circles. The academic works range from pre Qin to Qing dynasty, which the contents are majestic and open-herizion. Guan Zhuibian is range from pre Qin to Tang dynasty, Tan Yilu from Tang-song densties to Qing dynasty, Song Poery’s Anthology is the cohension between destinies. All of the works are very heavy pragmatic, involving almost humanties, including exegesis, philology, literature, philosophy and aesthetics, history, social anthropology, religious and so on. Mr. Qian said that he would make every effort to try to make the novel, poetry, drama, history, philosophy and sociology as the one subject. This is also his academic purpose. Scholars always put Qian Zhongshu into Song-poetry’s studies, and ignore his research in Tang-poetry. Throughout his rich academice treasures, Qian has a penetrating study of Tang-poetry, which contains very rich-thoughts of Tang-poetry.The article stating from the detailed reading of the text, put the inklings views into classification, and takes the conprehesive, detailed, in-depth analysis on the basis of literature. Firstly, from the view of literary history of the development of poetry, the paper analyzes the Qian’s poetry-history view, and picks up three concepts, such as Shi-ju-shi-bi, Shi-fen-tang-song, Liang-tang-shuo, and so on. Qian Zhongshu is in such a circle on the perspective to analyze the phenomenon of poetry, and from these phenomena to get general rules.Then from the perspective of Tang-poetry to research Qian Zhongshu’s poetic creative ideas, the paper refines the rules and theotris of the creation of Tang-poetry, such as imitating nature and fortuning nature, raw emotions and executive feelings, implicit and indication, principle interest, and so on. Mr. Qian discussing these propositions is focused on the relationship among poetry and nature, and temperament, this is Qian Zhongshu’s expression of poetics.Third, carries on the discussion from the aspect of language art of Qian Zhongshu’s poetry, respectively from two aspects grammar and rhetoric. The fist one includes two major categories, one is from the aspect of grammar, Tang-poetry has detached grammar phenomenon, and writing poems in the atmosphere. One is from the philosophical level, to analyze the Chinese like preferences. This paper works on Qian Zhongshu Tang poetry rhetoric research mainly discusses the object, to pick up the six kinds of figures of speech, respectively:metaphor, synaesthesia, lian-zi, occasionally, allusion and parody. Mr. Qian has more thorough view of each kind of rhetoric, and in philosophy, theoretical analysis.Finally, from the perspective of connoisseurs to talk about tasting concept of Qian Zhongshu’s Tang-poetry concept, he put traditional intuition experience, subjective appreciation to the art theory. The paper would discuss his tasting views and commenting aesthetic from Poets Eye, Circles, Quiet, Poetry deja vu four areas, and also from the analysis of specific comment on Li He, Li Shang-yin poetris to illustrate Qian Zhongshu’s tasting concepts.Scholars generally believe that Qian Zhongshu’s researches are focusing on Song-poetry. Through studying this subject, the view can be seen that Qian Zhongshu has the research on the Tang-poetry. The paper has taken depth study on the five aspects of Qian Zhongshu’s Poetics from Poetry-history, creation, language arts, tasting and so on, which would make the contributes to the overall depth of Qian Zhongshu’s poetics research, and the results of these studies can also promote and deepen the study of poetry in the Tang Dynasty, but also benefits the study of Tang poetry.