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Research On The Generation History Of Landscape Fu

Posted on:2009-08-26Degree:DoctorType:Dissertation
Country:ChinaCandidate:X H SunFull Text:PDF
GTID:1115330335985027Subject:Literature and art
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As a long complicated process with dynamic characteristic, the generation of landscepe Fu has rich abundant aesthetic value. There are two logic reasons to choose aesthetic consiousness as the key point of the fomation of landscape Fu study. Firstly, it is different themes that promote the birth of Fu. Then, it is landscape aesthetic consciousness that can be used as a standard to analyse the contribute of defferent themes. So, aesthetic consiousness and various themes are the clues of this study.Above all, sifting the traditional culture heritage about landscape is an essential prerequisite of the aesthetic consiousness study on landscape Fu. Before entrance into the birth of landscape Fu, the character of landscape itself had finished changes in two sides:first, it is the metaphor symbol of imaging from nature in Zhouyi's philosophy of nature. Second, it changed into Confucian moral philosophy symbol which represented by the Book of Songs. Meanwhile, it become into lyrical symbol in Chuci. So, the metaphor symbol of Zhouyi's special philosophy of nature, Confucian moral philosophy, and lyrical symbol in Chuci, these three forms of landscape characters keep consistent:the landscape nature is the carriers of other meanings. Nature characters of landscape are lost in those ways.Then, the Classic of Mountains and Rivers is the origin of landscape's myth and geography meanings. Zhouyi, the Book of Songs, the Classic of Mountains and Rivers, and Chuci become the indexical classical works which give clues about landscape's character and aesthetic experience transformation in pre-Qin period.So, it is important to summarize the resources of tranditonal landscape philosophy with those key works above, in order to find various meanings of landscape and their new changes in Fu. In these classical works, it is Chuci that contact directly with Fu. Chuci is the bridge through which the tranditional resources of landscape philosophy in pre-Qin period impact literature and promote the generation of landscape Fu.Transformation of aesthetic consiousness in literatrue field, especialy in Fu, can be summerized into six genres, including Ordernary Things Fu, Feast Fu, Traveling Fu, Hermit Fu and Metaphysical Fu. They offered different aesthetic consiousness which is critical to the generation of landscape Fu. Just in this order, this object will study the complex process of the pure image nature aesthetic consiousness's fomation, which is the true reason of the landscape Fu's generation.Ordernary Things Fu, Feast Fu and Traveling Fu, with a same topic, these three reflect together the image nature aesthetic consiousness develop from ordernary things into artifcial garden, and then, into more broad travaling space. Hermit Fu enhance the charm of landscape, which attract hermits approach landscape. As a mentality result, landscape fear becomes into landscape pleasure. With landscape pleasure become a social practice, image nature aesthetic consiousness is emphasized greatly. Divinity and moral meanings that obstruct nature of landscape has been eliminated. Metaphysical Fu diminishes the emotional obatruction toword nature character of lanscape.Above all, as two sides of a coin, the birth of landscape Fu means the formation of pure imaging nature aesthetic consiousness. In the first stage, Zhouyi, the Classic of Mountains and Rivers, the Book of Songs and Chuci, the aesthetic consiousness resources in pre-Qin period are used partly and great chang is prepared. Then, the second stage, it is the six kinds of themes of Fu, Ordernary Things Fu, Feast Fu, Traveling Fu, Hermit Fu and Metaphysical Fu that contribute the transformation of pure aesthetic experience. So, the generation of landscape Fu is also the process of the pure imaging nature aesthetic character, which besides the lyric and political ideals expressing tradition.The fact how Buddhism was interpreted should be another clue. Translation and interpretion of the Buddhist scripture are the two main aspects in this point. According to different philosophy resources, the interpretion of the middle ancient times Buddhism can be divided into three phraes, Confucianist, Daoist, dark learning. Links between three different language and literature thougts show influnces among them. Prajna Buddhism, as a new influnce factor, has promoted the devolopment of language and literature thoughts and aesthetic consiousness greatly.
Keywords/Search Tags:Landscape Fu, middle ancient time of china, image nature, aesthetic consiousness
PDF Full Text Request
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