Guizhou Buyi Play

This article is the main object of study in Guizhou province Buyi and Miao autonomous prefecture of Bouyei play. Buyei in Guizhou bouyeis, buyi and Miao autonomous prefecture, Yunnan, Guiyang, suburbs, and world language Wenshan belongs to the Sino-Tibetan kadai languages strong Thai language branch, divided into three dialects. Live in southwestern autonomous prefecture in Guizhou province in the southwest corner of Xingyi, Enron, Ceheng, Wangmo, Zhenfeng, County of bouyei in the case of a dialect area. Buyei drama arises in this dialect, Ceheng County area. The formation of the play about the Buyei, local ethnic art research workers for each party's opinion, has not been a consensus, the main point of eight voice, local community said, religion, origin and development of said road, Zhuang's drama and Folk lore, etc.This article on the basis of the fieldwork, combing through the material and analysis, System demonstration of Bouyei play art form. Buyei play in special natural geographical and cultural environment, bouyei drama spread and development of the formation, are subject to the environment. For it in a certain geographical area, historical spaces and its fusion of the area formed by the national cultural regional characteristics, use of geography, history, social science theory, knowledge, analysis, from the perspective of ethnomusicology Buyei drama exploratory study, revealing the Buyei drama and music and religious, social, artistic and other ecological environment, illustrates the Buyei play regional culture structures and properties. Buyei and Zhuang's drama between North has a deep relationship, both belong to the kadai languages Opera type, which is more of the National Opera of descendants, in the form of bouyei play at the same time, further widening the field of vision, try on kadai languages the Zhuang, Bouyei in Opera music culture of, exploring the relationship between them, the future further study kadai languages of the nationalities and cultural ecology of symbiotic relationship between a Foundation, at the same time as the universe of intangible cultural heritage names protection, inheritance, and so provide research and theoretical support.According to the ethnic Zhuang buyi, historical origins, combined with the Buyei and Zhuang's drama, history and development of processes, forms, and other aspects of the analysis, the author believes:Buyei and Zhuang's drama of main road, singing are derived from 8 sound. From the perspective of cultural geography, bouyei play in May is the art form to develop higher Road North, strong play in the same geographical range of the natural transmission, because in the different national geographic spread and produce different variations. In the long term development, transformation, the Buyei and Zhuang's drama, are governed by different administrative area Buyei and Zhuang culture, or the local economy, national aesthetic habits impact, gradually in the identity on the basis of differentiation, evolving into a different style and characteristic of performing system and Aria music system, thus becoming a separate minority operas.Full-text key on the introduction, body, by the conclusion of several parts. The introduction is on the significance of research and study on the current status of the statement. The body is divided into six chapters:chapter one more major on China southwest of national history and relation to illustrate; chapterâ…¡is on the Buyei Opera introduction of eco-cultural background; chapter III is on the Buyei play findings discussed; chapter 4 major from the play, the book, music ontology on Buyei play art form by studies; Chapter 5 is a play on the Buyei and Zhuang's drama, the origin of discrimination; Chapter 6 mainly from national characteristics and religious pluralism, the interpretation of the cultural property of Buyei play.