Multi-dimensional Expression Of Exhibition Design Of Exposition

Since more than100years, the World Expo has become the stage to show various countries economy, cultural and the technical achievement by its rich form and the deepened connotation. The World Expo is not mere an exhibition, but a global exchange activity whose main means is just about exhibition design. The World Expo is the progress and reproduction of human civilization and the epitome of the era, and it also witness the development process of modern design. The World Expo is the most abundant and maximum scale, the largest audience in the exhibition industry, so it is a system design involved in many factors. Its showing focus changed from simply reflecting the competitiveness of products and technologies early to the future exploration, the deep culture thinking and the concept innovation today. This shift sparked a multi-dimensional display techniques and diversification of expression, which is the basis and focus of the thesis.The exhibition design is not a single design object, but a complete environment and systems. The idea of contemporary World Expo design is the creative process from the concept to the image. This idea has a relatively independent, and it must be integrated into functional, technical, economic, cultural, aesthetic, social and environmental factors at the same time. Around the design concept as the central idea, through exploration and integration of technological aesthetics, spreading and transcending regional context, interpretation and expression of art forms, coordination and integration of the social environment, the World Expo design becomes a complete system. From the development process of the World Expo, we can see that each World Expo draws the ideas from previous periods to innovate. And with this idea, the interpretation of different cultures will inspire a new style and method of display. We make the subject formation and optimizing process of the World Expo as the main line in this subject, first summarize the types and characteristics of the World Expo, and then comb its development and evolution history over hundred years. We discuss impersonally and analysis in detail each Chinese Pavilion at the World Expo and its design characteristics and expression evolution, and follow-up many studies basing on the analysis.Through anglicizing characteristics and relevance of the cultural symbols and design content, we deeply explored expression methods of national image and regional culture in the World Expo exhibition design. We point out the practical feasibility of critical regionalism in this article. We carefully analyze the causes of the abuse of cultural symbols in the World Expo exhibition, also put forward innovative ideas about cultural symbols. Meanwhile, based on the theme of Shanghai World Expo and the city's geographical, ecological and historical continuity, we think and study the display of local city culture and reality explore.By combing the dialectical relationship between technology evolution and the World Expo, we research the World Expo exhibition design and its technology application after the technology development. From changes of the pavilion volume, construction techniques and expression forms to skin materials of the exhibition hall and other technical achievements, we summarize its evolution law and point out that the update of the design concept and expansion of the ecological language is the theory basis of the production and application of new technologies and new materials. Through anglicizing connotation and denotation of new media technology features in the World Expo exhibition design, we point out that the relativity of this concept, then we discuss the technology principle of the new media display and application form.We summarize the impact of the different periods of social thought and art schools on the World Expo exhibition space, then explore the style and feature changes of space exhibition design. We summarize and analyze the diversity methods of art form expression in the show design of the contemporary World Expo. We show that modern design of the World Expo is an applied integrated art in order to express a specific theme and to achieve communication with technical and artistic means to build the theme of space-time. Its core objective is to create a themed display of space-time with the most powerful art under the conditions of the existing technology, and to achieve interactive exchange of ideas and knowledge through on-site role.On the platform of the concept of sustainable development, the World Expo theme being a clue and cultural elements being a keynote, we interpret the display methods of cutting-edge technology and forefront art. Meanwhile, we deeply analysis the technology showcase and art practice of previous World Expo, then study the relevant between exhibition design and characteristics of each era. By summarizing these study results, we reflect on the exhibition design of the after-Expo. By studying the conceptual theme of the World Expo, conceptual thinking and innovative approach of the exhibition design, we present five integrated system architecture including of concept, culture, economic, science and art in the World Expo exhibition design. We believe that the World Expo exhibition design is a whole system based on culture, science and technology as a precursor, the design as a means, and the concept as a core. When the world's cultural diversity is wonderful interpreted through the cutting-edge technology, it touches people's hearts is a very simple values and methods looking to the future.