Chinese Literati Painting In The History Of The "big Four" Coordinates

The article use the sociology of art as methodology, with the idea ofE.Panofsky and Alois Riegl's "kunstwollen" and Arnold Hauser's "elite art"."pop art" scan the history of the literary painting again, probe intoConfucianism. taoism. Buddhism. these three religions made the potentialinfluence in the literary painting form and develop in different historicstage .and urged it entered the stage of sprouting into the stage of cultureintension. the stage of greet develop in pen and ink form. and the lastintegration stage .In these four stages which also gestated four literaryartists. they changed and lead the literary painting develop. and made the"verve"," will and spirits" ,"pen and ink" and so on, they lead such category tomature and set. They had on the acting and role just like the "coordinate"theory in mathematics chart. On the one hand, they expended commonaltyfoundation and enhanced literary consciousness. on the other hand, theyhacked wound cut wave, again and again, they lead the literary painting from smallness to large. from feebleness to strong. step by step into mature,take up the predominant current in painting field.